Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  NATIONAL MUSIC
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

'THE OTHER' IN MUSIC. BASED ON THE EXAMPLE OF GYPSY MUSIC

100%
Piotrowska A. G.
Kultura i Społeczeństwo
|
2007
|
vol. 51
|
issue 4
173-186
EN
Since the publication of Franz Liszt's book 'Des Bohemiens et de leur musique en Hongrie' in 1859 Gypsy music has become the constant cause of academic disputes. In European culture Gypsy music was described as an emanation of the concept of 'Others'. In musicological literature two dominant codes of presenting Gypsy music can be distinguished: the racial discourse - drawing heavily on Darwinian theory practices and national perspective resulting from the 19th century tendencies. Consequently Gypsy music was proclaimed the only real source of Hungarian national music. The writings on Gypsy music are also characterized by the evident fascination with non-European cultures and the exotic features of Gypsy music. The aim of the article is to outline how European authors undertaking the problem of Gypsy music (Franz. Liszt and Bela Bartok) mitigated between the two approaches depending on the historical context within which they wrote their works.
2

CONSTRUCTING THE PAST AND THE FUTURE OF SLOVAK MUSIC. DOBROSLAV OREL IN INTERWAR BRATISLAVA

100%
Zvara V.
Historický časopis (Historical Journal)
|
2021
|
vol. 69
|
issue 5
921 – 939
EN
During his residency in Bratislava in the 1919–1938 the Czech Catholic priest and musicologist Dobroslav Orel was not only an active scholar and teacher but was also an influential figure in musical life, and even in cultural politics, in the Slovak part of the new republic. Then dominating Czechoslovak idea and his identity as a Catholic priest played an important role in shaping his views. The paper deals with Orel’s reconstruction and interpretation of the music history of the territory of present-day Slovakia and with relations between Orel’s scholarly output and the then-current issues of Slovak music, its definition, its function in the society, and its “right course”.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.