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EN
The Woman Is a Nomad, the Woman Is an Artist. A look at Brides on Tour by Pippa Bacca and Silvia Moro in the Feminist Take of Rosa Braidotti The text is an attempt at looking at the art project Brides on Tour from the perspective of the nomadic subjectivity by Rosi Braidotti. The project, in the new context lent by the death of Giuseppina Pasqualino di Marineo, known under as Pippa Bacca, gave rise to diverse commentaries, at the same time becoming a reference point for successive artistic and social endeavours. The article analyses the strategy undertaken by “the brides” as women-artists, the cultural symbols and archetypes used by them, while as a counterweight questions are asked about the faith in uncon- ditioned hospitality in the frames of what Jacques Derrida called “Abra- ham” tradition as well as about the presence of women in public space. As a result, the project seems to be an artistic performance, which de- mands including the specific, embodied female experience to be a subject in culture and politics. Its true value is located in the acquired experience; in the exchange that the artists initiate with people encountered on their way; in breaking the borders between art and everyday life. This is quite an alternative model of art and as such is an answer to the feminist de- mands of Rosi Braidotti.
PL
Artykuł jest oparty na wieloletnich antropologicznych badaniach terenowych w Buriacji – przede wszystkim na wywiadach i obserwacji terenowej. Autorka stawia sobie pytanie, czy ruchliwość przestrzenna jest dla człowieka zjawiskiem naturalnym, pożądanym, psychologicznie bliskim, czy też bywa tylko koniecznością, wymuszoną i akceptowaną jedynie z potrzeb gospodarczych. Artykuł skupia się na apologii nomadycznego sposobu życia wśród współczesnych Buriatów. Buriacka inteligencja odwołuje się do odległej przeszłości Hunów i o tysiąc lat bliższego imperium Czyngis-chana, szukając w obu przypadkach wzoru doskonałego sposobu życia. Utraciwszy ruchliwy tryb życia pod wpływem długofalowych procesów społecznych oraz przymusowego osiedlenia i kolektywizacji w latach 20. i 30. XX w., Buriaci obecnie wracają w ideologiach i formach kulturowych do idei wartości życia nomadycznego.
EN
The article is based on intensive anthropological fieldwork in ethnic Buryatia (interviews and field observation). The author asks whether spatial mobility is natural for people’s existence, desirable both socially and psychologically, or if it occurs as an effect of economic necessity. The article concentrates on the contemporary Buryat apology of nomadic life. In search for an ideal way of living, the Buryat intellectual elite relates to the distant times of the Huns and to the, succeeding by one millennium, Genghis Chan empire. Having foregone nomadic life due to long-term social processes and forced sedentism and collectivisation in the 1920s and 1930s, Buryats presently invoke the idea of a nomadic way of life in their ideology and cultural activities.
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