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Архетипальний аналiз noвiiстi Оксани Забужко Я, Мiлена

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Betko I.
Acta Polono-Ruthenica
|
2009
|
vol. Tom 1 Nr XIV
15-24
EN
The article is devoted to the archetypical analysis of the story I, Milena by modern Ukrainian writer Oksana Zabuzhko. Important motives of this text are interpreted in the context of analyticalpsychology by Carl Gustav Jung. There are archetypes of Person and Shadow, which are examined in more details. They play the great role in the process of the protagonist’s self-destruction.
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Пoвicть -притча Оксани Забужко Казка про калинову сопiлку: проблема генетико-iнтертекстуального пiдгрунтя мистецьких пoшукiв письменницi

100%
Betko I.
Acta Polono-Ruthenica
|
2007
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vol. Tom 1 Nr XII
19-30
EN
The article is devoted to the analysis of the genetic-intertextual kontext of this Zabuzhko’s tale, in wich writer does her artistic search. Zabuzhko uses the motives of Old and New Testament, the subjects of Ukrainian folklore and so on. Also the protagonists of this philosophical tale may be interpretated as the archetypes of the Shadow and of the Person (in the context of the psychology of depth by Carl Gustav Jung). The particular importance has the hidden polemic between Zabuzhko and Lina Kostenko.
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Between Silence and Speaking: the Representation of National Identity in Oksana Zabuzhko’s Poetry

62%
Borysiuk I.
Tematy i Konteksty
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2017
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vol. 12
|
issue 7
206-221
PL
The article is focused on the problems of national identity, self-representation, and memory re-articulation in Oksana Zabuzhko’s poetry. Language, speaking, and word as well as silence are conceptualized as key concepts in verse by the 1980s generation of Ukrainian poets to whom Oksana Zabuzhko belongs. Speaking and silence in 1980s poetry can be treated not only as concepts or metaphors but also as a literary strategy or even as the form of resistance in the late Soviet era. The article is structured as the gradation of motives from speaking to silence in Zabuzhko’s poetry. The analyses includes the following subthemes: non-verbal language represented by sounds, gestures, and poses, verbal language as existing between sacrum and profanum, speechlessness, and silence.
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