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EN
The Caecilian movement (XIX century) was mainly supposed to contribute to the increase in the standards of church music performances. Its ideas reached Poland relatively quickly and amongst honoured propagators of church music renewal, there was priest B. Maryański. In 1891, first issue of Calendar for rural organists (soon converted into yearbook), edited by B. Maryański, and was issued. These writings were supposed to help church musicians. The content of the article was prepared basing mainly on these yearbooks, which were considered as not remained. Their subject matter concentrates on the issue of the increase of the abilities and the extension of knowledge necessary to fulfil the organist’s tasks. Perfectly then, it fits religious journalistic mainstream of that period. Priest B. Maryański’s publication was definitely crucial, yet nowadays its hard to determine how wide range and level of influence it had.
EN
The article begins with a biographical note presenting the most important facts about the life and work of Edmund Sobiś. Then it goes on to show the way this lay brother and catechist had to go to become an organist, a choirmaster, and an organ-builder. Since the author of this article used to teach at the Diocesan Organist School in Szczecin, he knows some aspects of Sobiś’s life from personal experience. The purpose of this article is to outline the 46 year-long work of the lay brother and his accomplishments in the Szczecin-Kamień diocese. During that period, he worked as an organist, ran the Diocesan Organist School in Szczecin, founded the “Szmaragdowe Słowiki” (“Emerald Nightingales”) choir and a youth brass band, built an organ along with his students in Szczecin and Stargard Szczeciński, was a teacher and friend of children and adolescents. He was given a special award – the Order of the Smile. As a Knight of the Order of the Smile and a religious from the Society of Christ for Polish Migrants, he left behind the lasting results of his work crowned with a few publications. Through his work and activity he also became an example to many organists of his diocese.
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Eduard Tregler

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EN
The paper is based on the topic of the dissertation thesis – Eduard Tregler – a personality in the history of organ music and education. The basis of this thesis is Tregler’s educational work. Eduard Tregler (1868–1932) is introduced not only as a concert organist and music composer, but also as a pedagogue of the organ school at the conservatoire in Brno. From 1913 to 1932 Tregler educated a lot of organists there and had a major influence on the contemporary generation of Brno organists.
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