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EN
Fear of Pain Questionnaire (FPQ-III) is a self-report measure designed to assess fears about pain across three pain dimensions: severe, minor and medical. The objective of the study was to develop a Polish version of FPQ-III and to examine its psychometric properties. The data were collected among 338 individuals (59% women), aged from 16 to 65. The results confirm that FPQ-III is internally consistent and stable measure of fear of pain and its dimensions. The results of confirmatory factor analysis suggested good fit of the three-factor model. To test the criterion validity, correlation analyses between anxiety, passive coping with pain, self-efficacy, pain intensity and fear of pain were performed. Preliminary results yielded that the Polish version of FPQ-III questionnaire might be a viable and reliable measure.
Kwartalnik Filozoficzny
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2015
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vol. 43
|
issue 1
133-152
EN
This article is an introduction to the ideas about art and philosophy found in the thought of Witold Gombrowicz. The author describes Gombrowicz’s views, referring primarily to his Diaries and to Interviews with Dominique de Roux and Piero Sanavio. The article consists of four parts, which include depictions of Gombrowicz’s attitude to philosophy, his criticism of existentialism, and his reflections on pain.
Filozofia (Philosophy)
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2010
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vol. 65
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issue 2
170-183
EN
Almost daily, we read and hear of car bombings, violent riots and escalating criminal activities. Such actions are typically condemned as 'cruel' and their 'cruelty' is taken as the most blameworthy trait, to which institutions are obliged, it is implied, to respond by analogously 'cruel but necessary' measures. Almost daily, we read and hear of tragic cases of suicide, usually involving male citizens of various age, race, and class, whose farewell notes, if any, are regularly variations on an old, well-known adagio: 'Goodbye cruel world'. Additionally, many grave cruelties are neither reported nor even seen by the media: people are cheated, betrayed, belittled and affronted in many ways, which are as humiliating as they are ordinary. Yet, what is cruel? What meaning unites the plethora of phenomena that are reported 'cruel'? How is it possible for cruelty to be so extreme and, at the same time, so common? This paper wishes to offer a survey of the main conceptions of cruelty in the history of Western thought, their distinctive constants of meaning being considered in view of a better understanding of cruelty's role in shaping each person's selfhood.
EN
The paper presents the picture of pain in Polish, as represented by numerous expressions figuring the lexeme bol 'pain'. The expressions were documented either in dictionaries of Polish or in the PWN Corpus of Polish. The main focus is on conceptual metonymies and metaphors used by speakers and writers of Polish to think and talk about pain. It discusses the way they understand experiencing pain, what conceptual schemata and comparisons they invoke. Experiencing physical pain is shown according to the following profiles: 1) the pain itself as a process; 2) pain as a subject-phenomenon; 3) the feeling of pain by the subject-experiencer; 3) the localization of the pain; 4) the actions undertaken by the subject-experiencer to alleviate or eliminate pain; 6) the means used by the subject-experiencer to alleviate and/or eliminate pain. The final part of the paper discusses perspectives on contrastive research which include both a detailed analysis of lexemes pertaining to the semantic field of 'pain' in different languages and the comparison of the ways in which the pain is conceptualized in the languages analyzed.
EN
Objective for this article is account the specificity of Cioran’s consideration on background of varied history scriptures. Firstly, will be to get a knowledge about his reflections on the beginning of the history manifested in the biblical tradition and in her quaint interpretation. Secondly, we will try to reveal the most natural character of the human being, which was somehow confirmation of visions gained from religion. Then we explore Cioran’s understanding of history and historiography, and also source of his fundamental categories of historiosophy. In the last part we would like to present his philosophy’s spirit in history project.
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