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ALEKSANDER WAT ON RUSSIAN BORIS PASTERNAK AND ILYA EHRENBURG (Aleksander Wat o pisarzach rosyjskich. Borys Pasternak i Ilija Erenburg)

100%
Fast P.
Pamiętnik Literacki
|
2010
|
vol. 101
|
issue 3
151-163
EN
Aleksander Wat showed his avid interest in Russian literary process. The interests focused mostly on 20th century literature, though Wat knew older literature very well (he translated, inter alia, Dostoyevsky into Polish). In his recollections and commentaries, essays, diaries, and letters, a lot of space was dedicated to Russian writers. The article contains and comments upon the two writers on whom Wat focuses the most in his aforementioned scattered fragments - Boris Pasternak and Ilya Ehrenburg. Concentrating on one of the most famous Russian 20th century novels - 'Doctor Zhivago', Wat shows the novel's 'technological' awkwardness, however he highlights its prominent function in understanding Russian history in the last century. Attention is also paid to Ilya Ehrenburg (whose few books Wat translated into Polish), depicted from the perspective of the choices Ehrenburg made in his life and his ability to conform to the requirements of the current political situation. The criterium for reflections here is the ethical dimension of Ehrenburg's actions and papers.
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Doświadczenia marburskie Władysława Tatarkiewicza i Borysa L. Pasternaka

88%
Czardybon B.
Filo-Sofija
|
2011
|
vol. 11
|
issue 2-3(13-14)
505-520
EN
The article deals with the Marburg studies of Władysław Tatarkiewicz and Boris L. Pasternak, especially with the principles and the research practices prevailing at The Philipps University of Marburg. The main bibliographic sources present the memoirs of Tatarkiewicz. When discussing Pasternak’s activities, plans and thoughts, is used of his Marburg correspondence and his autobiographical prose. The article shows Marburg’s influence on personality and views of both thinkers. There is Tatarkiewicz and Pasternak’s similarity of their experiences. This article takes up the problem of the defensive nature of the Marburg school of neo-Kantian philosophy, i.e. its doctrinal closure. In the case of Tatarkiewicz, his contact with the professors of the University of Marburg was conducived to working on his own, different philosophical outlook. It is surprising that Pasternak’s attitude as an artist was influenced by the Marburg philosophical thought. The Marburg studies have provided him an ease to use the philosophical vocabulary.
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