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WAR IN EUROPEAN MUSEUM NARRATIVES AND CULTURAL MEMORY

100%
Verbytska P.
Muzeológia a kultúrne dedičstvo
|
2023
|
vol. 11
|
issue 4
21 - 43
EN
The article examines how the war narrative is displayed in modern European museum exhibitions, particularly in light of new museology and cultural memory trends in Germany and Poland. The study recognises that the contested nature of cultural and historical contexts influences the process of representing cultural memory in museum narratives. It combines the theoretical approach of museology with specific museum practices. Using case studies from the Bundeswehr Museum of Military History, Dresden, Germany; the Documentation Centre for Displacement, Expulsion, Reconciliation, Berlin, Germany; and the Museum of the Second World War, Gdansk, Poland, the author examines the impact of challenging issues centred on cultural memory of the war in museum exhibitions over recent decades. The study underlines the significance of innovative approaches to museum exhibitions that display the experience of war and contribute to social dialogue and sustainability.
2

EXPERIMENT NESTEX – ALEBO AKO DNES V SLOVENSKÝCH PODMIENKACH UCHOPIŤ STÁLU EXPOZÍCIU

86%
Chmelinová K.
Muzeológia a kultúrne dedičstvo
|
2015
|
vol. 3
|
issue 1
21 – 36
EN
The paper is devoted to the issue of permanent exhibitions, aiming special exhibitions in the Museum of Art, which is recently in the centre of international discussions in the field. Using the form of „case study“ it highlights the principles and form of permanent exhibitions, which currently offer museum institutions in Slovakia. The core of the paper is the concept of a new im/permanent exhibition of old art of the Slovak National Gallery in Bratislava titled Nestex. Nestex is untraditional, in many aspects experimental model of Gothic and Baroque art installation offering alternatives for exhibitions of art in a specific area of Central Europe.
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