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1

THE PHOTOGRAPHY. THE STEREOTYPE OF SMALL HOMELAND AND THE PRIVATE PROSPECT (Fotografia, stereotyp malej ojczyzny i perspektywa prywatna)

100%
Sztandara M.
Przegląd Kulturoznawczy
|
2008
|
vol. 1
|
issue 1(4)
245-261
EN
Looking at pictures is one of the most popular activities of a modern man. Cuurrently come into being a huge mount of the photographs presented particular regions of Poland. There are both attractive and popular and these which remains in oblivion. The intention of executing these photographs on one hand is presentation the specific region, its picture: inhabitants, events, places. On the other hand those photos became the portraits of 'small worlds', personal homeland, documents of personal experiences, the stories about friends, interesting people, families, events and other which came from everyday life. In the contemporary culture we can see a rising popularity of photography and the situation of this medium is more and more complicated. It seems to be complicated to talk about differences between the amateur photographers and professionals. The photo essays do not exist only in the press. The photographer and his camera are hired to implement various documentation art and activities. It is worth to describe two photographic projects. They could function as pictorial diary about cultural and geographic areas: the Malopolska province with its capital Kraków and small villages on the area of Lemkowszczyzna. The first project was implemented by professional photographers who have come from Kraków and others cities. The implementers of the second one were children from those small villages. At last we could see two records of contemporary reality, two pictures of small homeland, and the stories about people and their daily life which are different from stereotypes which exist in colloquial imagination. The pictures like these have stopped to be the evidence of the true reality. They start to be photo essays which show the public events in a private ways.
2

KONZERVAČNÁ VEDA V SLOVENSKOM NÁRODNOM ARCHÍVE

70%
Maková A.
Muzeológia a kultúrne dedičstvo
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2014
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vol. 2
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issue 2
21 – 32
EN
This paper analyses the role of conservation science in Slovak archives by examining its relationship to archival science and highlighting the wide application of current conservation science by means of research into conservation technologies, data storage devices and media, microbiological processes and the processes of deterioration with age. The latest research in the Slovak National Archives focuses on tracing paper and photographs and underscores the importance of implementing conservation science and its practice in everyday archival work.
3

WORKERS IN AN ETHNOGRAPHIC ARCHIVE: ON THE STRATEGIES OF (RE-)CONSTRUCTING THE PAST

70%
Karpińska Grażyna E.
Muzeológia a kultúrne dedičstvo
|
2022
|
vol. 10
|
issue 1
105 - 117
EN
The article describes a collection of 9,000 photographs with captions – entries to a worker-oriented photographic contest – and the paths by which they came from private albums through the contest and museum exhibitions, until they found a place in the ethnographic archive of the Łódź University and in a digital repository. Having left household archives, they became a part of a public heritage rooted in, and dependent on, various historical contexts. Each procedure in some way determined the fortunes of the collection and constituted a choice that imparted a certain shape and meaning to the photographs.
4

DO MEN CONFORM MORE THAN WOMEN IN THE RECOGNITION AND LABELLING OF EMOTIONS?

61%
Procházka J., Laugnerová M., Dočekalová S., Hlaváčková A., Morháčová V., Nešporová K., Ježek S., Vaculík M.
Studia Psychologica
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2016
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vol. 58
|
issue 4
251 - 258
EN
The study focuses on differences between women and men in recognizing negative emotions from facial expressions and the conformity of women and men while labelling the emotions. Previous research has indicated that women conform more than men when the stimuli used are more comprehensible for men. This research seeks to establish whether this phenomenon can be observed when the stimuli are more comprehensible to women. In this study, 24 women and 25 men labelled the facial expressions of negative emotions, first in private and subsequently in a group with four confederates. In private, women were more successful than men in recognizing facial expressions. However, no differences were observed between women and men in respect to conformity while being in a group. The results show that the displaying of emotions is a gender specific stimulus that does not affect conformity.
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