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1

REMBRANDT'S MASTERLY CHIAROSCURO. DRAWINGS AND PRINTS EXHIBITIONS IN FRANCE, 2003-2007 (Mistrzowski swiatlocien Rembrandta. Wystawy rysunków i rycin w latach 2003-2007 we Francji)

100%
Chroscicki J. A.
Rocznik Historii Sztuki
|
2008
|
vol. 33
129-134
EN
The text surveys several most important exhibitions of drawings and prints by Rembrandt van Rijn held in 2003-2007, in celebration of the Rembrandt Year of 2006/2007, and reminds some previous ones held after 1945. In France, as in other countries, modern development of research radically decreased the number of drawings attributed to Rembrandt in order to cede it to his disciples and followers. Paris, where Frits Lugt was working from 1921 compiling the catalogues of Parisian collections, and where he bequeathed his own collection to the Fondation Custodia, has again become a place of international cooperation. Peter Schatborn prepared anew the collection of drawings at the exhibition held at Musée du Louvre (October 2006 - January 2007), entitled 'Rembrandt the Draftsman. Collections' Masterpieces in France'. There is also reminded a small exhibition of the drawings from Kupferstichkabinett Staatliche Museen zu Berlin, prepared by Holm Bevers, and exposed in Paris. From among the exhibitions of Rembrandt's engravings the most important was held at the Bibliotheque nationale de France in cooperation with Spain, entitled 'Rembrandt: la lumiere de l'ombre' (Rembrandt: the light of shadow) - November 2005 till the end of February 2006. There was also another exhibition reminded, 'Rembrandt et les peintres-graveurs italiens, de Castiglione a Tiepolo', at the Musée Départemental d'Art Ancien et Contemporain at Epinal.
2

TLAČE 16. STOROČIA V ARCHÍVE GEMERSKÉHO SENIORÁTU E.C.A.V. V REVÚCEJ

88%
Jakubej J.
Studia Historica Nitriensia
|
2013
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vol. 17
|
issue 1
69 – 81
EN
Following article describes circs in Gemer bishopric since the moment of acceptance of the reformation up to the closing of the Satmar agreement (1526 - 1711). 31 prints dated into the 16th century were discovered to this day in the Archive of Gemer bishopric of Evangelical Church of the Augsburg confession in Revúca. Following article publishes information about printers, places where was books printed, their languages or the decade, form which these volumes are.
3

THE ODYSSEY OF JAKOB BELSEN 1879-1937 (Jekaba Belzena odiseja 1879-1937)

63%
Abele K.
Makslas Vesture un Teorija
|
2007
|
vol. 9
5-28
EN
Jakob Belsen's art in the country of his forefathers remained associated almost exclusively with the ten oil paintings and water-colours shown in the Latvian Art Exhibition of 1910. Now the number of his paintings at the Latvian National Museum of Art (LNMA) in Riga can be counted on one hand. With four works of undisputed authorship and one of doubtful attribution, this is the largest public collection of Belsen's paintings in the world. Although three of these paintings are familiar to the public from Latvian art albums, exhibitions and catalogues, knowledge of the artist's life has been very poor even among experts, partly because of distances separating Riga from his basic places of residence - St. Petersburg, Berlin and New York. An avalanche of recent discoveries sheds new light on previously obscure periods and episodes in Belsen's life and career. Several of his paintings from the 1920s have newly appeared in Latvian private collections. Numerous supplements to his non-Latvian historiography have been found in publications of both his and our contemporaries. The St. Petersburg Regional Section of the Public Russian German Academy of Sciences held a memorial Belsen exhibition in 2001 and supplied the LNMA with a CD of its materials documenting the artist's productive work as illustrator and cartoonist as well as containing reproductions of private photographs. Some of these images have been used in this article by courtesy of Antonie Tosca Grill in Baden-Baden, whose father was a nephew of Jakob Belsen's first wife. My inquiries into the provenance of this picture archive resulted in a correspondence with Wenedikt Bohm (St. Petersburg) to whom I owe a debt of gratitude for copies of extremely important sources of biographical evidence.
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