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1

Powieść w odcinkach na łamach żnińskiej gazety „Pałuczanin” (1927–1939)

100%

Wodniak K.

Literatura i Kultura Popularna

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2018

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vol. 24

369 - 394

EN

In the history of the Polish press of the interwar period, a provincial publishing center located in Żnin, in Pałuki region, played a major role. In the 1930s, Żnin was home to a dynamically developing press company, offering high-circulation titles of nationwide coverage (Moje Powieści, Moja Przyjaciółka). The first step towards the creation of the future Publishing House of Alfred Ksycki was the establishment of the Pałuczanin newspaper in 1927, which formed the basis for subsequent publishing initiatives. The periodical, including a few supplements, was edited in accordance with the principle of “everything for everyone”, and signalled the upcoming era of mass press. One of the ways of acquiring new readers, was the printing of novels in episodes, which started already in the first issue of the newspaper with a mini rural novel by Stanisław Kluczek, a folk writer of sensational historical novels. The newspaper featured 30 other popular novels from authors associated with the region (Wanda Brzeska, Jan Andrzej Kraśny, Alojzy Kuzio, Franciszek Ksawery Tuczyński), but also those known from 19th-century French newspapers (Émile Richebourg, Jules de Gastyne). The article presents the characteristics of all the titles published through the newspaper.

2

Pamięć a życie kulturalne Pałuk. Słaboszewska linia rodu Zdziechowskich

99%

Chamot M.

Zeszyty Naukowe Wyższej Szkoły Gospodarki, seria Edukacja - Rodzina - Społeczeństwo

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2017

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issue 2

345-354

EN

The Dąbrowa Municipality is an agricultural land, which is situated on The Kuyavian-Pomeranian Voivodeship. In this district we can find a small village called Słaboszewko with a manor house of the Zdziechowscy Family. After the First World War Marian Zdziechowski, who was a writer at the turn of the 19th and 20th centuries, purchased the property with the manor house. During the Second Republic in Poland Mr Zdziechowski had an extensive contacts with polish artistic elite and thus the manor house became the most important cultural centre of Bydgoszcz region. Many prominent artist and creators were in Słaboszewko village during the interwar period, for example: Jerzy Andrzejewski, Witold Gombrowicz, Antoni Uniechowski and Witold Małcużyński. From 2005 to 2012 the scientists and students of University of Economy, under the chairmanship of Professor Marek Chamot, conducted researches on the culture legacy Słaboszewko village and Zdziechowscy Family. They also initiated a cycle of events called “Biesiady Arstystyczne”.

PL

Gmina Dąbrowa w województwie kujawsko-pomorskim jest o charakterze rolniczym. Jednak w jej granicach znajduje się niewielka wieś Słaboszewko, w której mieści się dworek rodu Zdziechowskich. Marian Zdziechowski, pisarz okresu przełomu XIX i XX wieku, nabył majątek wraz z dworem w Słaboszewku po I wojnie światowej. Mając szerokie kontakty wśród elity artystycznej II Rzeczypospolitej, uczynił ze swojego dworu najważniejszy w owym czasie ośrodek polskiej kultury regionu bydgoskiego. W okresie dwudziestolecia międzywojennego w Słaboszewku przebywali i tworzyli tacy wybitni twórcy, jak np. Jerzy Andrzejewski, Witold Gombrowicz, Antoni Uniechowski czy Witold Małcużyński. W latach 2005-2012 naukowcy i studenci Wyższej Szkoły Gospodarki, pod przewodnictwem prof. WSG dra Marka Chamota, przeprowadzili badania nad dziedzictwem kulturowym Słaboszewka i rodu Zdziechowskich oraz zainicjowali cykl wydarzeń pn. Biesiady Artystyczne.

3

Drewniany kościół w Gąsawie - przykład nierozpoznanej konstrukcji w architekturze sakralnej

57%

Jankowski A.

Ochrona Zabytków

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2001

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issue 1

19-29

EN

The seventeenth-century wooden church of St. Nicholas in G¹sawa is one of the most important testimonies of the cultural heritage of the Pa³uki region. Alongside the church in Tarnów Pa³ucki it is the oldest extant wooden church in Pa³uki and one of the oldest within the range of historical Greater Poland. The tower-less, single-nave object with a small distinct sacristy and porch, with boarding on the outside and plaster inside, and a solid slightly deformed at the beginning of the nineteenth century by the addition to the nave of an unproportionately large, brick cylindrical chapel, did not meet with greater interest on the part of researchers. Recorded in catalogues of monuments and locally issued publications concerning the history of the region the church was discussed laconically as an edifice with a uniform construction, erected in 1674 (as evidenced by the date inscribed on the bell of the rood arch beam), and founded by Kazimierz Brzechwa, the abbot of Trzemeszno. Recent thorough repairs revealed the heretofore concealed original appearance of the church. The removal of nineteenth–century boarding and plaster showed that the church in G¹sawa has a double, frame supporting structure of the roof, while the interior walls are covered by at least three layers of painted decoration. An analysis of the architectonic structure, dendrochronological examinations, an archival survey, and an initial analysis of the arrangement programmes of particular phases of the painted decoration permitted the assumption that the gable walls, the frame and the rafter framing date back to the seventeenth century, but do not share a joint origin. The oldest are the frame walls, probably a remnant of a church raised at the end of the first quarter of the seventeenth century. The date on the rood arch beam — 1674 — commemorates not the construction but the reconstruction of the object, partially destroyed during the Swedish wars. Up to the 1690s the church was a frame construction. From 1697 to 1699 the frame became encircled on the outside by a skeletal structure (without nogging). The most likely reason for this solution was the enlargement of the nave windows. The skeletal construction relieved the weakened frame and guaranteed stability to the static configuration of the edifice. The organic union of the frame and skeletal structure and the rafter framing made it possible to recognise the carrying systemof the roof as the effect of a well–devised architectonic conception. Up to now, literature concerning wooden churches has not distinguished the double, frame–skeletal, construction of the walls. Similar solutions have been recorded only among non–extant examples of the architecture of wooden synagogues in the former Commonwealth. On–the–spot investigations, albeit for the time limited to select objects in historical Greater Poland, have demonstrated that churches with a double carrying roof construction are not as exceptional as it might be assumed upon the basis of pertinent literature. Solutions similar to the “G¹sawa” model have been discovered in both seventeenth– and eighteenth– century churches. At the present stage it is still difficult to draw concrete conclusions concerning the origin and evolution of wooden churches with a double, frame–skeletal wall construction, which calls for further studies. Today, the most important is the very fact that this type of construction has been classified in sacral architecture of the Christian cultural range.

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Powieść w odcinkach na łamach żnińskiej gazety „Pałuczanin” (1927–1939)

Pamięć a życie kulturalne Pałuk. Słaboszewska linia rodu Zdziechowskich

Drewniany kościół w Gąsawie - przykład nierozpoznanej konstrukcji w architekturze sakralnej