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Świat wzniosłych uczuć i dobrych manier, czyli Norwidowskie prawo inwersji

100%
Kącka E.
Studia Norwidiana
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2020
|
vol. 38
99-110
EN
First of all, the presented article offers a novel interpretation of Lord Singleworth’s Secret in the context of Norwid’s anthropology on the one hand, and a historical and cultural background on the other. Norwid’s understanding of “cleanliness,” which was inspired in some measure by the Gospels, had interesting connections with the life circumstances of Norwid himself and the main character of his puzzling short story. The reading of Lord Singleworth’s Secret revolves around the image of a balloon flight during which the lord-according to this interpretation, not alien in Norwidology-throws a paper with “physiological content.” This scene is put in the context of other literary balloon flights, and also, due to Lord Singleworth’s eccentric behaviour, confronted with the manifestations of bizareness organized by Baudelaire’s friend Philoxène Boyer in the 19th century. So it seems that Singleworth is one ofthe most interesting weirdos of the 19th-century literature. Nonetheless, he remains one of the characters for whom we may invoke Norwid’s law of inversion-inferred in the article.
PL
Artykuł stanowi przede wszystkim propozycję nowego odczytania Tajemnicy lorda Singelworth w kontekście Norwidowskiej antropologii z jednej, a tła historyczno-kulturowego z drugiej strony. Rozumienie „czystości” przez Norwida, niewolne od inspiracji ewangelicznych, wchodzi w ciekawe zależności z realiami, w których przyszło funkcjonować nie tylko samemu poecie, ale też bohaterowi jego zagadkowej noweli. Odczytanie Tajemnicy lorda Singelworth skupia się wokół obrazu lotu balonem, z którego lord – wedle tej interpretacji, nieodosobnionej zresztą w norwidologii – zrzuca papier zawierający treść natury fizjologicznej. Scena ta umieszczona zostaje w kontekście innych literackich lotów balonem, a także – w związku z ekscentrycznym zachowaniem lorda – skonfrontowana z manifestacjami dziwności, jakie w Paryżu XIX wieku urządzał przyjaciel Baudelaire’a, Philoxène Boyer. Singelworth wypada zatem na jednego z ciekawych dziwaków literatury dziewiętnastowiecznej. Jednocześnie pozostaje jedną z figur, w związku z którymi przywołać można – wyprowadzone w artykule – norwidowskie prawo inwersji.
2
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Tęsknota za Chat Noir i Mirliton. Wokół legendy paryskich kabaretów

88%
Ignaczak L.
|
2016
|
vol. 33
|
issue 3
279-309
EN
The article invites readers to reinterpret the phenomenon of legendary nineteenth-century Parisian cabarets, inseparably linked to the history of Polish cabarets. The author refers to French sources from the era in order to supplement and verify facts concerning the historical transformation of this phenomenon, while postulating the need for more extensive research on cabaret in the context of its importance for understanding the formation of modern European and Polish popular / mass culture.
3
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Od les goguettes do kabaretów, czyli o zależnościach między polską i francuską piosenką kabaretową z przełomu XIX / XX wieku

71%
Ignaczak L.
Prace Polonistyczne
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2017
|
vol. LXXII
163-181
EN
The article deals with the problem of the historical transformation of French and Polish cabaret songs at the turn of the 20th century and the consequent changes in relations between the two cultural circles. The work is focused not only on a comparative analysis of the text and music material from Parisian and Polish cabarets, but also takes into account the sociological context of their functioning. This allows the reader to understand similarities and differences in the creation and development of cabaret life in France and Poland. The article analyzes in detail a unique method used to disseminate songs in France (by the societies of singers called les goguettes, les cafés chantants, les cafés-concerts and cabarets) and the absence of such the phenomenon in Poland. It is shown that these cultural incompatibilities may be one of reasons for the gradual movement of Polish authors and artists away from the conventional and aesthetic style, adopted initially from the Parisian cabarets that were perceived as model ones in Europe (eg. Le Chat Noir or Le Mirliton).
4
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Tęsknota za Chat Noir i Mirliton. Wokół legendy paryskich kabaretów

71%
Ignaczak L., Uniwersytet Łódzki W. F., liignacz@konto.pl
Acta Universitatis Lodziensis. Folia Litteraria Polonica
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2016
|
vol. 33
|
issue 3
EN
The article invites readers to reinterpret the phenomenon of legendary nineteenth-century Parisian cabarets, inseparably linked to the history of Polish cabarets. The author refers to French sources from the era in order to supplement and verify facts concerning the historical transformation of this phenomenon, while postulating the need for more extensive research on cabaret in the context of its importance for understanding the formation of modern European and Polish popular / mass culture.
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