Search results

1

NA TROPIE POLSKICH ARTYSTÓW W WIELKIEJ BRYTANII – NA PRZYKŁADZIE TWÓRCZOŚCI GOSHKI MACUGI I ALICJI PATANOWSKIEJ

100%

Krasoń S.

Zeszyty Naukowe PUNO

|

2017

|

issue 5

287-291

EN

The paper discusses the oeuvre of two Polish-born artists whose artistic work is con ducted internationally – Goshka Macuga and Alicja Patanowska. Both artists are diametrically diverent in their artistic content and they belong to two diverent generations – Macuga is a mature, internationally recognized artist, whereas Patanowska is one of the representatives of a young generation of artists. Despite the diverences, the author was able to determine a number of common features that characterize the two, which she presents and analyses in order to understand the phenomenon of their artistic careers.

2

REŻYSER POLSKI W TEATRZE ANGIELSKIM I POLSKIM

100%

Kaut-Howson H.

Zeszyty Naukowe PUNO

|

2017

|

issue 5

293-306

EN

Helena Kaut-Howson, internationally acclaimed theatre director, resident in UK since 1995, describes her career and experiences as a theatre maker, looking on it from the point of view of her contribution as a Polish artist to the cultural scene of Great Britain. Born and educated in Poland, having gained her degrees and diplomas both in Poland and UK, Helena Kaut-Howson has a strong afiliation with her Polish background and cultural if not necessarily national heritage. Her views on the role of foreign artists in the largely insular theatre scene in Britain have been shaped by extensive experience of working in most major theatres in this country, from regional repertory companies to London West End and the Royal Shakespeare Company. She describes her struggles over the years to establish her position and evolve an individual style of expression, overcoming considerable resistance both as a woman and a foreigner. It was mainly as an artistic director of eatre Clwyd (Wales) a regional theatre which she raised to international prominence, that she gained reputation for enriching British theatre with her vision. Since then and for many years aer her work has been appreciated for innovatory approach and for investing her in terpretation of English classics with a new refreshing quality, oen associated with the director’s Polish background. The article points out key diverences between the theatre culture in England and in Poland both bound up intrinsically with tradition and history. Helena Kaut-Howson’s experience outside of the United Kingdom confirmed her view of a theatre as an expression of national identity, this being true of all theatres including the marginally more outward looking Polish theatre. at’s why she looks upon her role as an Artistic Caretaker of the Polish Stage Company, UK which she founded in 2004 as essentially separate and based on diverent principles (though still on the highest artistic criteria) from her work as a British and international theatre director. If the former serves to maintain and strengthen the cultural identity of Poles abroad, the latter has to play to the interests and expectations of the British, only occasionally provoking them to broaden their perspective.

3

20 000 ZNAKÓW O MOJEJ SZTUCE W ANGLII

88%

Borkowski A. M.

Zeszyty Naukowe PUNO

|

2017

|

issue 5

251-276

EN

Andrzej Maria Borkowski – an artist, art critic and performer briey describes his artistic experiences in Great Britain from his rst visit there in 1976–1977, when Steven Rumbelow, director of Triple Action eatre invited him to work with his company through later collaboration with Cardiv Laboratory eatre (1980) and the invitation from Geraldine Pilgrim’s Hesitate & Demonstrate eatre shortly before proclamation of martial state in Poland. Aer arriving to London in September 1982 he settled here collaborating and performing with Hesitate & Demonstrate, then with other theatre and dance companies both as performer and set designer until middle of 1990s when he began to work as senior lecturer in School of Art, University of Brighton. In 1985 the 20 000 ZNAKÓW O MOJEJ SZTUCE W ANGLII Andrzej M. Borkowski, „Autoportret” – jedna z fotograi cienia autora na skałach, zamieszczonych wiosną 2011 r. w londyńskim magazynie artystyczno-literackim „Ambit”, nr 204276 was among artists who created „Bigos – Artists of Polish Origin” and in the following ten years he continued to exhibited his installations, grati and experimental work with the group in various galleries in London, Worcester, Abingdon, Bradford and Huddersfield. Since early 1990s he begun to create more collages and then screen prints and monoprints which remains in the centre of his work now

Refine search results

3 Zeszyty Naukowe PUNO

1 Borkowski A. M.

1 Kaut-Howson H.

1 Krasoń S.

3 2017

NA TROPIE POLSKICH ARTYSTÓW W WIELKIEJ BRYTANII – NA PRZYKŁADZIE TWÓRCZOŚCI GOSHKI MACUGI I ALICJI PATANOWSKIEJ

REŻYSER POLSKI W TEATRZE ANGIELSKIM I POLSKIM

20 000 ZNAKÓW O MOJEJ SZTUCE W ANGLII