Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  Portico of Obelisks
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1
Publication available in full text mode
Content available

The West Wall of the Portico of Obelisks in Hatshepsut's Temple in 2018 and 2019: conservation and studies

100%
Józefowicz E.
Polish Archaeology in the Mediterranean
|
2019
|
vol. 28(2)
343-357
EN
The longest, west wall of the South Lower Portico (Portico of Obelisks) of the Temple of Hatshepsut at Deir el-Bahari has been reassessed in terms of its current state, compared to the original documentation by Edouard Naville, as an opening step to the author’s research project organized within the frame of the larger University of Warsaw Temple of Hatshepsut research program. A considerable number of blocks from the wall, including unpublished fragments, was tracked down in storage in the various temple blockyards and storerooms. About two-thirds of the wall decoration underwent conservation treatment in the spring of 2018 and 2019 seasons. The paper discusses the author’s progress in this research.
2
Publication available in full text mode
Content available

Ramesside Inscriptions and Preparatory Sketches in the Western Wall of Portico of Obelisks of Hatshepsut’s Temple at Deir el-Bahari

86%
Józefowicz E.
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
|
2020
|
vol. XXXIII
107-119
EN
The representations of all the gods on the western wall of the Portico of Obelisks in Hatshepsut’s temple at Deir el-Bahari were destroyed during the Amarna period and restored under the reign of Ramesses II. In this paper, the inscriptions related to those restorations are commented on, along with a set of dipinti drawn on undecorated blocks below the dado lines. Those dipinti, of varying quality, represent the god Amun. Because of their location and form they were probably ‘restoration guidelines’ for the sculptors re-creating the destroyed images of the god. The paper’s aim is to reconfirm the dating of the restorations in this part of the temple and discuss the possible reasons for the dipinti creation.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.