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EN
The author of the paper will attempt to scrutinise, with reference to contextual arguments, a linguistic image of the Egyptian creator in the Old Kingdom religious texts which will be analysed with use of linguistic worldview method. An important inspiration for the author were the studies of Slavonic antiquity conducted by V.V. Ivanov and V.N. Toporov within the structural paradigm using the notion of opposition and the Egyptological, philosophical, anthropological and linguistic studies of J.P. Allen, J. Assman, H. Altenmüller, E. Hornung, P. Tillich, P. Wheelwright and R.A. Rappaport, and Polish scholars – T. Dobrzyńska, M. Makuchowska and the late philosopher L. Kołakowski. The paper is, however, solely an introduction to a further study. The author of the paper is making efforts to define an image of the creator expressed through and in the Egyptian language, reconstituted from fragmentary verbal messages, pictures recorded and preserved in language. It seems crucial that the Egyptian creator-god as “completed one”, comprising in himself all living beings, is embodied in his children and the whole created world.
EN
The author collected in her paper introductory remarks concerning the occurrences of water in the Pyramid Texts. The article outlines main issues which appear to be assumed by the ancient Egyptians the most vivid while thinking about water and its role in Egyptian religion of the Old Kingdom. In the world oldest religious texts it may be evenly observed that water was a way to travel both on Earth and in the sky as well as to transport goods in both realities. The above-mentioned and the ways of transport confirm watery nature of the hereafter. Water could have both good as well as bad, involving peril, connotations. Furthermore, it appears – that water was perceived as a sacralised sphere, the one of primordial value. However, in the Pyramid Texts more emphasis was put on its purifying and rejuvenating qualities.
EN
The paper offers some preliminary considerations concerning the distribution, composition, and orientation of the elements comprising the decoration of the burial chamber of Meru, TT 240. The tomb, situated within the North Asasif slope, dates to the last phase of the reign of Mentuhotep II Nebhepetra. The repertoire of the decorative elements found in Meru’s burial chamber may be traced back to the Old Kingdom, while some peculiarities in their distribution and orientation seem to be a consequence of introduction of the Pyramid Texts, a post-Old Kingdom novelty in the decoration of a non-royal burial space.
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