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Р. Якобсон как агент культурного трансфера между лингвистикой и литературным экспериментом

100%
Feshchenko V.
Przegląd Wschodnioeuropejski
|
2018
|
vol. 2
309-317
EN
The article analyzes one of the forms of nomadism in the intellectual world, which is called cultural transfers. One of the directions in the study of cultural transfers is the migration of concepts and notions between scientific knowledge (in this case linguistic) and literary experience (mainly experimental). The article is devoted to one of such migration trajectory from the perspective of interdiscourse methodology. We discuss the works of one of the agents of cultural transfer in the field of linguistics – R. Jakobson. The task of the article is to draw a trajectory according to which the linguistic concepts of Jakobson intertwine with parallel processes in literary (mainly poetic) experiments. The analysis concludes that precisely in connection with close contexts and transfers between poetry and linguistics, the Russian science of language represented by Jakobson develops a view of literature as a special language and a special communicative system. This trend is not typical for the Anglo-American linguistic tradition of the twentieth century, the quintessence of which in the middle of the century was represented in the theories of N. Chomsky and his circle.
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«Вечный муж» и традиция мениппеи

75%
Segal-Rudnik N.
Roczniki Humanistyczne
|
2021
|
vol. 69
|
issue 7
171-186
PL
Wieczny mąż i tradycja menippe Artykuł analizuje strukturę motywów głównych bohaterów Wiecznego męża Fiodora Dostojewskiego na tle satyry menippejskiej i jej różnych odmian. Parodyczne przemiany obrazów i motywów poprzednich tekstów Dostojewskiego, zwłaszcza z powieści Idiota, modyfikują tradycyjny trójkąt miłosny opowiadania. Relacja między bohaterem a antagonistą odzwierciedla ambiwalencję archetypowego schematu «król i błazen» oraz sposób, w jaki pojawia się on w dramacie romantycznym V. Hugo Le Roi s’amuse i operze Rigoletto G. Verdiego. Fabuła zemsty i zadośćuczynienia za zdeptaną godność sięga gatunku średniowiecznej kpiny (R. Jakobson) i jego narracji o zmartwychwstaniu wielkanocnym, dotykając problemu chrześcijaństwa i jego wartości w ówczesnym społeczeństwie rosyjskim.
EN
The article examines the motif structure of the main characters in Dostoevsky’s The Eternal Husband against the background of menippea and its various genres. The parodic transformations of the images and motifs of Dostoevsky's previous texts, especially the novel The Idiot, modify the traditional love triangle of the short story. The relationship between the protagonist and the antagonist reflects the ambivalence of the archetypal scheme “king vs jester” and the way it appears in Hugo’s romantic drama Le Roi s’amuse and Verdi’s opera Rigoletto. The plot of revenge and vindication of trampled dignity dates back to the genre of medieval mock mystery (R. Jakobson) and its narrative of the Easter resurrection, posing the problem of Christianity and its values in the Russian society of the time.
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