Results found: 2

Search results

Search:
in the keywords: ROLE

Sort By:

Limit search:

Etos studencki w kodeksach i życiu codziennym

100%

Smużewska M.

Teraźniejszość – Człowiek – Edukacja

2012

issue 2(58)

141-155

Modern university model faces many problems; it is even said to be undergoing a crisis. The most frequent reasons include commercialization, mass education, bureaucracy, politicization, the development of digital technologies, popularity of postmodernism and critical trends in social sciences. What is sought for are the new, more functional solutions, which would be appropriate for the changing reality. As regards subject dimension a question about the nature of the master-disciple relation is posed. It has a significant impact on the content and coherence of the academic ethos and its student variant. Because of the undertaken studies a student is entitled (and obliged at the same time) to a concrete and socially-recognised activity, namely – the acquisition of knowledge. In this respect, it differs from all formed professional roles, where at best this task is placed at the end of the catalogue of activities ascribed to a given role. However, what is the problem is the fact that often the learner does not know what he/she should be like lacking a personal model. Therefore, there is a risk that without ethical education, i.e. establishing the declarations of proceedings and codes, they will somewhere lose the essence of the role they are fulfilling.

FROM ROLE TO MISSION. WLODZIMIERZ STANIEWSKI'S THEATRE PRACTISING (Od roli do poslannictwa. Wlodzimierza Staniewskiego praktykowanie teatru)

63%

Dorak-Wojakowska L.

2011

vol. 10

issue 20

133-162

The article describes one of the aspects of Wlodzimierz Staniewski's theatre work. He was the founder and creator of 'Gardzienice' Centre for Theatre Practices, one of the most important artistic and research institutions in Poland. Wlodzimierz Staniewski's theatre has several significant theatre productions to his credit. They result from a comprehensive research programme which consists of Expeditions, Gatherings and Performances. What distinguishes Staniewski's work is the missionary nature of his team's work. It is an artistic mission, nevertheless performed with such sacrifice that it has assumed the proportions of a cultural mission. It resulted from Staniewski's culture-forming inspirations aimed at connecting scientific reflections with the practice of theatre search. In practice, these activities involve discovering native folk culture, or 'indigenous culture, as Staniewski himself used to call it, perceived as a test of the reception of live material, which can be artistically processed and searched for the origins of acting. The author of this article presents the problem of theatre and acting in the light of the Romantic idea of returning to nature, currently reminding of the 'ecological' obligation of contemporary culture towards the homeland, also called 'the land of the forefathers'. According to Staniewski, all means of expression derive from or remain in close connection with the musical nature of the land. The musical nature is a way of feeling the world, and at the same time its internal characteristic, in this sense it is something close to the spirit. It shapes man, his feeling, and even thinking, thus shaping an actor. The actors of Staniewski's Theatre refer to tradition understood as direct contact with people, country dwellers, whose manner, behaviour, actions, and even faces reveal the signs of culture. Staniewski's Theatre is currently defined as the theatre of a song revived in space. And although today Wlodzimierz Staniewski and his team draw inspirations form ancient culture, they main aim is still an attempt to answer the question about how to live, how to deal with people and other cultures. And this is also the mission of his theatre - i.e. cultivating all that is carried by the organic connection between theatre work and nature as well as the whole area of intercultural exchange.

Refine search results

1 Horyzonty Wychowania

1 Teraźniejszość – Człowiek – Edukacja

1 2012

1 2011

1 Dorak-Wojakowska L.

1 Smużewska M.

Search results

Etos studencki w kodeksach i życiu codziennym

FROM ROLE TO MISSION. WLODZIMIERZ STANIEWSKI'S THEATRE PRACTISING (Od roli do poslannictwa. Wlodzimierza Staniewskiego praktykowanie teatru)