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Slavia Orientalis
|
2008
|
vol. 57
|
issue 4
463-483
EN
In the article the author puts a question whether a literary text of any type - drama, prose or poetry - can be taken as a credible source of information in a crime investigation concerning a murder, for example. Having analysed some texts written by Russian and Polish poets, he arrives at a conclusion that a positive answer is mainly proved by a possibility for a poet to present in a work his own vision, interpretation and deduction of the events that may not coincide with the ones the readers already know. Whereas a negative answer is supported by the fact that a literary text being the effect of a conscious poetic effort cannot be assumed as a totally truthful evidence but rather as a source of implications and reflections, primarily for investigators, and secondly for anybody interested in the occurrence.
EN
The study presents an overview and analysis of contemporary Moscow productions inspired by the personality and work of the legendary Russian actor and poet of the latter half of the 20th century, singer and songwriter Vladimir Semyonovich Vysotsky (1938 – 1980). The author covers both the older productions which have been on the repertoires of theatres for several years and more recent productions staged this year on the occasion of the artist’s unlived 80th birthday. Researching on the productions by different theatre makers, staged by various theatres and drama ensembles, points at the importance and up-to-dateness of the creative legacy of Vladimir Vysotsky and at the significance of him as a personality that has become a legend and a component part of the cultural history of Soviet and post-Soviet eras. The productions constitute a significant part of the unwavering cult of his personality.
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