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EN
This article presents an analysis that is being carried out within the framework of the ‘Tetrastylon project’ (Marie Skłodowska-Curie Research Fellowship). This project is designed to create the scientific basis for the identification and definition of a new type of Roman domus. This typological item is the result of the hybridisation of a house scheme drawn from the Greek and Roman conceptions of housing. In the recent decades, some studies have found a particular type of Roman house in different parts of the Empire. The structural scheme of this domus joins, in the first place, the developmental concept of the Greek dwelling with the use of the Roman atrium as the central distribution area of the house. As a result of this cultural symbiosis, it is possible to observe Roman distribution areas within housing built following Greek structural conceptions and the combination of very different architectural influences between both cultures. The house, tentatively termed ‘the tetrastyle courtyard house’, has been observed in different Roman cities with a Greek past, but in different geographical contexts and chronologies. This type of house, with its variants, has not been sufficiently analysed in the Roman domestic architecture studies. This article will present different examples of this type of house within the territorial context of ancient Magna Graecia under the influence of the Roman dominion. This approach will show the same exchanges between the Greeks and the Romans in the East, but from the western perspective and at an earlier chronological stage.
EN
Great Mosque of Damascus was built between 705 and 715 by the Umayyad Caliph al-Walid I. However, the origins of this building dates to the distant past. At first it was a location of an ancient Aramaean temple dedicated to the god Hadad. With Hellenization the temple was dedicated to Zeus and in the first century BC the Romans transformation it into the Temple of Jupiter Damascenus. In 391 Emperor Theodosius converted the temple into Christian Cathedral of Saint John. Erection of the mosque by Caliph al-Walid I was under strong influence of earlier constructions. Meaning and consequences of such transitions, from the Roman temple (there is almost no data of the Aramaic building) through the Christian Cathedral to the Islamic mosque is an interesting process. Issue not only within the art and architecture, but what is more, in a religious aspect of the continuity of sacred space.
PL
Celem artykułu jest przygotowanie informacji dla turystów udających się z pielgrzymką do sanktuariów zlokalizowanych w kościołach, które powstały w stylu romańskim. Opracowanie poszerza wiedzę dotycząca głównych cech wspomnianej architektury. Narracja powstała w wyniku analizy dostępnych źródeł i opracowań. Opis problemu wzmacniają dobrane tematycznie fotografie z zasobów Narodowego Archiwum Cyfrowego.
EN
The main aim of the paper is to present information for tourists going on pilgrimage to sanctuaries located in churches, that were built in Roman style. The elaboration broadens knowledge concerning main features of the architecture mentioned above. The narration is based on an analysis of accessible sources and elaborations. The description of the problem is weighted by thematically attuned photographs from the National Digital Archive.
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