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The Role of Jane Wilhelmina Stirling in Fryderyk Chopin’s Life and in Preserving Memory and Legacy of the Composer

100%
Pieńkowska P.
Kwartalnik Młodych Muzykologów UJ
|
2017
|
issue 1(32) Eng
5-27
EN
The role of Jane Wilhelmina Stirling in Fryderyk Chopin’s life as well as in preserving his legacy is nowadays underestimated. Jane Stirling was not only Chopin’s pupil, but also his patron. She organized a concert tour to England and Scotland for him and tried to support the composer financially. Moreover, she defrayed the costs of the composer’s funeral and erecting his gravestone. After his death, she focused on what Chopin had left passing away. It is thought that she purchased most of the items from his last flat; she acquired also the last piano the composer had played. She tried to protect the autograph manuscripts he had left, and attempted to arrange the publication of compositions that had been retained only in a sketch form.
2
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Kilka uwag o Mszy F-dur Józefa Poniatowskiego

100%
Rzepecki K.
Kwartalnik Młodych Muzykologów UJ
|
2016
|
issue 1(28)
52-67
EN
The music of Polish composers of the Romanticism is still quite a for¬gotten and undiscovered area. One of the examples of that issue are the works of Joseph Poniatowski (1816–1873), a composer who spent a significant part of his life abroad. His work concentrates mainly on the opera music, which was largely dictated by the environment from which he descended and in which he stayed. The purpose of this article is to draw attention to one of the composer’s forgotten works – Mass in F major, and also to presently selected topics related to this work.
3
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The challenges of music education. The “quandary” of the Lied1

75%
Contreras Sequeira P.
Kultura – Przemiany – Edukacja
|
2018
|
vol. 6
278-286
EN
The present essay tries to answer the following question: How do composer Franz Schubert’s romantic lied evoke landscapes, situations, environments, characters or feelings with no help other than music itself? We will talk about the symbolic resources that the musician used in this genre, with no other pretension than to provide a general view of the subject for those not initiated in the subject of Musical Analysis.
PL
W prezentowanym tekście autor stara się odpowiedzieć na następujące pytanie: w jaki sposób romantyczna pieśń kompozytora Franza Schuberta przywołuje krajobrazy, sytuacje, środowiska, charaktery i uczucia, wykorzystując muzykę jako jedyne narzędzie przekazu? Przedstawiono źródła symboliczne wykorzystane w tym gatunku, aby nakreślić zarys problematyki osobom niewdrożonym w tematykę analizy muzycznej.
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