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RU
The article deals with number symbolism in the work by Velimir Khleb-nikov in the context of Russian modernism. Special attention is paid to the analysis of the number symbolism in the Tables of Destiny. The author comes into consideration, that in the works by Velimir Khlebnikov, especially in the Tables of Destiny, two ways of comprehension of truth were combined: intu-itional vision by means of number symbolism and an attempt of calculation of history regularity and destiny of individuals by means of mathematic formulas.
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The presented interpretation of the poetry collection V venke iz voska (In the Wax Wreath) by Boris Poplavsky, based on a known George Kingsley Zipf’s law, is an example approach to a literary text from the point of view of words statistics, which reflects Poplavsky’s semantic and stylistic preferences. Thanks to the applied method, the following thesis concerning the poet’s idiolect were formulated: 1) Boris Poplavsky’s poetic world is of a definitely substantive structure; 2) the most important role in the specification of the presented world is played by senses - visual impressions and colours; 3) the lyrical subject acts mainly as a reporter of current events; 4) the used adverbs reveal the poet’s inclination to “stretching” time and space; 5) high frequency of the “I” pronoun testifies significant egocentrism of Poplavsky’s. *
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