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EN
The authoress attempts at defining the notion of 'self-fiction'/'auto-fiction', taking a source understanding of it as her starting point. She follows up the Serge Doubrovski concept through references to Jacques Lacan's modern autobiography and psychoanalysis, and presents self-fiction as a result of combination of the autobiographic subject with a subject of unawareness.
EN
The text attempts at analysing narrative phenomena in our contemporary prose works in light of the fiction exponents theory. One phenomenon deemed feasible and natural in fiction only is true quotation of dialogues that occurred in a significant temporal distance from the moment of being uttered. This also applies to autodiegetic narrative. Most examples of textual strategies related to this phenomenon come from Polish self-fiction works (Huelle, Chwin, Dichter), that is, borderline, hybrid texts thematising the interplay between fabrication and reference.
EN
A theoretical commentary to the famous definition of 'self-fiction' (also referred to as 'auto-fiction'). The author analyses his own novel 'Fils', drawing our attention to the point at which the autobiographical project collapses whilst the subject spinning out a narrative about himself gets transferred into a self-fiction register, under the pressure of language.
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