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SYNTACTIC AND SEMANTIC FEATURES OF THE UNITS 'DO NIEMOZLIWOSCI' AND 'ILE WLEZIE'

100%
Kubicka E.
LingVaria : Półrocznik Wydziału Polonistyki UJ poświęcony zagadnieniom języka i językoznawstwa
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2008
|
issue 1(5)
61-72
EN
Described units belong to the group of adverbs that name the border created by the speaker to separate objects from their surroundings. When using 'do niemozliwosci', the speaker expresses his opinion about the phenomenon, namely that it is impossible to do something more intensively or longer. The adverb 'ile wlezie', compared with 'do oporu', 'do woli', 'do upadlego', describes rather the action itself than its result and capacity of the object that undergoes the action.
2

The concept of 'motherland' in the Hungarian linguistic image of the world

100%
Banczerowski J., Bardosi V.
Magyar Nyelvor (Hungarian Language Guardian)
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2004
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vol. 128
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issue 1
1-10
EN
'Motherland' is the name or call word of a cognitive domain that has become fixed in the Hungarian linguistic image of the world in terms of a view of the world that is characteristic of Hungarian language and culture. The internal taxonomy of that concept is made up of six domains referred to by the following lexemes: 'haza' (one's own country), 'hon' (otthon) (home(land)), 'anyaország' (mother country), 'anyaföld' (mother earth), 'szülohaza' (land of birth), 'szüloföld' (native soil). The basic dimension of the Hungarian concept of 'motherland' is space. In the centre of that space stands the 'house' that can be taken to be the prototype, in the sense of ancient model, of 'motherland'. The lexemes listed above all have the semantic field of 'anya' (mother) in their background. 'Mother' can be seen as the archetype of 'motherland' in the sense that the latter is grounded in the conceptual structures of the former and has a strong generative potential. The authors reconstruct the linguistic image of the concept of 'motherland' on the basis of a large linguistic material and cover some axiological aspects as well.
3
Content available remote

THE INFLUENCE OF MUSIC ON THE SYMBOLIC AND DIAGNOSTIC DIMENSIONS OF THE PROCESS OF IMAGINING

80%
Galinska E., Kozinska J.
Muzyka
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2005
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vol. 50
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issue 4(199)
3-29
EN
This paper investigates the influence of musical structure concerning some chosen historical styles (2 impressionist pieces, 1 classical, 2 baroque) on the symbolic and diagnostic content (i.a. the EPQ-R Eysenck Personality Test was applied) of the imaginary process in 10 persons aging from 18 to 24. The goal of this research consists on verification of the rightness of choosing M. Ravel's music (I. part of the Spanish Rhapsody), used by E. Galinska for the theme 'The Magic garden' in the treatment of persons with mental disturbances. This piece was treated as the experimental one and was compared with 4 others, control pieces. The projection material thus obtained from two stimuli: musical and verbal (the given theme) was subsequently subjected to semantic analysis performed according to the worked out qualitative and quantitative categories. Musical material was analyzed: 1) in order to find the so called musical invariants, that is musical structures, which in case of the examined persons evoked similar contents of imagination; 2) from the point of view of the style, form, executive apparatus and their differentiating influence on the imaginary process and emotions included in it. This study confirmed rightness of choice of experimental pieces of music and its non-convertibility to any of the control pieces. Music proved to be the stronger projective stimulus than the word, and, independently of the theme, directed the imaginary and emotional process towards his own side (in case when music has the structure ill adopted to the theme). Each of the investigated musical pieces had its specific musical invariants.
4

SÉMANTICKÁ ANALÝZA KARPATIZMU XVŽA Z ASPEKTU SLOVENSKO-NEMECKÝCH JAZYKOVÝCH KONTAKTOV

70%
Slobodová Z.
Slavica Slovaca
|
2021
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vol. 56
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issue 2
169 - 181
EN
The paper considers the semantic analysis of carpathism xVža. In our work we focused on semantic distinctive components – semantic features – classification, identification and specification. We compared the semantic structure in Questionnaire of the Carpathian Dialectological Atlas with the semantic structure of the Carpathian Dialectological Atlas. We also examined the etymology of selected carpathism in several etymological dictionaries, where our German origin was revealed. The aim of our paper is a semantic analysis of selected carpathism and its etymology from the aspect of interlingual contacts.
5

DEDINA – VES – SELO – DEREVNA V NÁREČIACH STARÝCH SLOVANOV

70%
Žigo P.
Historický časopis (Historical Journal)
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2009
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vol. 57
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issue 2
329-338
EN
Research of historical linguistics and dialectology have a long existence and will always remain a part and means of national identification, especially when the search for national identity has support in the natural, uncontrolled development of language, and when it respects past experience. Semantic analysis of the vocabulary in the dialects of particular Slavonic languages, based on comprehensive regional analysis, as in the Slavic Linguistic Atlas project, testifies to the differentiating as well as integrative features of the examined items in relation to the surrounding linguistic environment. The author, using several illustrative examples, such as 'dedina' (village), 'strom' (tree), 'hora' (forest), points out the constants that are permanent identifying features of the Slovak language. They have become constituent parts of the contemporary standard Slovak language, in the course of natural development from a supra-dialect sphere in the pre-standard period.
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