Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Results found: 1

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  SEMIOTICS OF MUSICAL TERMS
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
Kwartalnik Filozoficzny
|
2007
|
vol. 35
|
issue 3
131-144
EN
In this paper the authoress analyzes her own previous views on the ontology of musical objects. The problem is discussed in the perspective of the conceptions of the semiotic functions of musical terms. She claims that musical compositions, being products of the creative activity of composers, are quasi-particular objects, distinct from particular (or real) objects, as well as from universal objects. To describe the variety of musical objects coherently, we should distinguish three different referential functions. Thanks to the function of designating, terms refer to particular objects and thanks to the function of denominating, to universal objects. Musical compositions are quasi-designated by their titles.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.