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O DIELE, KTORÉ NEBEZPEČNE PREDBEHLO DOBU A NEPODPÍSALO ŽIADNU ZMLUVU S DIABLOM

100%
Glocková M.
ESPES
|
2014
|
vol. 3
|
issue 2
37 – 42
EN
This work was created in merry Czechoslovak, and for a “Faustian” experiment also favouring sixties. In the hindsight we may call the Octagon (1962) by Ladislav Kupkovič, being the brightest artistic persona of then new music and the initiator of non-formal group Music of today, a parable of good and bad, not only in production but also in authors personal life. In the time of the creation and after a “little while” of liberty the author immigrated to West Germany and his work of art became a symbol of two phenomenon of an age that represented the social and also political relationships. They also documented the political animosities of seventies, creating the pressure from Kremlin and the society was under the influence of normalization.
2

OD HUDOBNEJ HISTÓRIE K HUDOBNEJ TEÓRII

100%
Lengová J.
Musicologica Slovaca
|
2013
|
vol. 4 (30)
|
issue 2
197 – 208
EN
The most important works by Jozef Kresánek (1913 – 1986) include the scholarly trilogy Základy hudobného myslenia (Fundamentals of musical thinking) (1977), Tonalita (Tonality) (1982) and Tektonika (Tectonics) (1994). This sequence gives proof of the lifelong effort he devoted to music theory as a musicological discipline, which enabled him to explore, within the category of musical thinking, the developmental laws of European art music in all their complexity. Jozef Kresánek began as a music historian, and in his scholarly studies, monographs, surveys and musical editions he devoted himself especially to the problems of the modern history of Slovak music from the 18th to the 20th century. In terms of methodology, he applied a synthesis of the music-historical and music-theoretical approaches. This paper makes a close analysis of the lasting contribution, as well as the period residues, in the conception of two of his works: Dejiny hudby (History of music) (1942) and Vznik národnej hudby v 19. storočí (Birth of the national music in the 19th century).
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