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EN
The aim of this article is to incorporate visuality into the theory of the social world as it was proposed in the interpretative sociology. The text consists of three parts. In the first, the authors present basic assumptions of the social world phenomenological theory. The second, elucidates the concept of visuality - the underpinnings of the chosen contexts of building and unifying the social worlds' visual aspects that are presented in the foregoing article. The last, opens to scrutiny the examples of processes in which the visuality becomes a pretext for gainsaying the intersubjectivity of social worlds and therefore, relates to the opposite phenomenon. The theoretical and exemplifying endeavors undertaken in the article may constitute an introduction to further, more complex analyses.
EN
The contact of the law, understood as a system of rules of conduct, principles, and maybe values with the environment, is possible only through a man. The law is twofold - it is a part of human consciousness and a part of the social world. The direct environment of the system of law is a man who by its action, especially in political institutions, forms the law and in the long run directly regulates its action only. The position of a man as the only direct addressee of legal norms causes that from the view of law it is usually a means, not the purpose. It is one of the structural reasons of alienation of the system of law to the man.
EN
In the article, resorting to the phenomenological understanding of the 'social world', the authoress looks for the new possibilities of researching social worlds with the use of participatory photography, and by integrating research and citizen practice. One may speak of participatory photography when individuals or groups that would traditionally constitute the objects of observation take and interpret photographs representing significant parts of their lives and experiences themselves. Hence, as a research technique, participatory photography changes the perspective of cognition from the position of an outsider to the one of an insider. In this way, it allows insight, in accordance with the directives of interpretative sociology, into the subjective definitions of the observed situations, as constructed by the participants. Then, it provides the picture takers with the possibility of fully subjective expression concerning their own experiences, needs or goals, which is particularly important in the case of minority, marginalized, or excluded groups. However, this is when participatory photography goes beyond the limits of scientific knowledge, and into the area of social change, becoming a means of sociological intervention.
EN
The paper is an attempt to describe social world of pigeons breeders. Basic aim was to look into particular aspects which constitute this specific social group in the light of social interactionism and theory of social worlds. The central issues were therefore values within this world, legitimating of commitment in breeders work, the process of becoming pigeons breeder and relations between breeders and their birds. All these issues were described in a wider context of conditions influencing pigeons breeding. Presented findings are based on empirical research conducted among pigeons breeders from one region of Poland between 2006 and 2007. Collected empirical data were analyzed and interpreted according to the rules of grounded theory methodology.
EN
The main goal of this paper is to reconstruct the process of becoming a poet with its most important subprocesses (re-constructing of identity, career stages). The project was based on field research conducted via participant observation and qualitative interviews.The paper is based on the symbolic interactionism as a teoretical frame and the grounded theory as a methodological procedure used for the analyse of collected data.
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