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"Minulost umění" - modernost surrealismu

100%
Vojvodik J.
Česká literatura (Czech Literature)
|
2008
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vol. 56
|
issue 5
673-676
EN
A contribution from the conference 'The Second Avant-garde' (part of the grant-funded project 'The Myths, Language, and Taboos of the Czech Post-Avant-garde from the Forties to the Sixties'), which was held on 23 October 2007. The article considers Karel Teige's (1900-1951) attitude to the Avant-garde, particularly his attitude to echoes of the Avant-garde, and also his perception of the Avant-garde in the 1940s. Using examples, the article discusses Teige's perception of art as a dialectic fact. It considers his attitude to Hegel and the ideas of the art historian Max Dvorak (1874-1921), particularly Dvorak's conception of art history as history of the mind and Dvorak's call for a unity of art scholarship and art.
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Pohyb, rytmy a klid

100%
Jiracek P.
Česká literatura (Czech Literature)
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2008
|
vol. 56
|
issue 5
635-650
EN
Subjectivity in the rhythm of the lyrical image manifests itself in two different, yet parallel, rhythm spaces. The space of the linear rhythm of the lyrical image, which is formed by the movement of perception is more passive, more sensuously objectivized than the value-positive (upward and outward) and value-negative (downward and inward) orientation (in the metaphors of the iamb and trochee). The space of the nonlinear rhythm (of atmosphere) of the lyrical image, which is created by the movement of perception is more active, more emotionally subjective in comparison the value-positive (pleasant, suggesting a warm colour, active) and value-negative (unpleasant, suggesting a cool colour, passive) emotionally evocative orientation. This article, based on psychosemantic study of the lexis of Antonin Sova's (1864-1928) poem 'Dym' (Smoke) inquires into the relationship between the value shifts in the perception of the semantics of the poem's lexis and phraseology, and concepts of the lyrical image's movement, rhythm, and rest.
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