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Configuration traducteur–auteur: jeu sur deux lignes. Sur la Vengeance du traducteur de Brice Matthieussent

100%
Jakubowska-Cichoń J.
Romanica Wratislaviensia
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2012
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vol. 59
41-49
EN
The main subject of Brice Matthieussent’s novel Vengeance du traducteur [The Translator’s Revenge] is the relations between the translator and the author of the original. These relations are hierarchical and are illustrated with valuating elements depending on the place within a vertical structure, where the bottom — symbolic translator’s area — is perceived negatively, while the top, “belonging” to the author, is perceived positively. The present article contains an analysis of those aspects of the novel (typographic, stylistic and plot-related) that are involved in the construction of the picture of “spatial,” axiologically-marked relations between the translator and the author. Through this we want to demonstrate that the stereotypical approach to the translator as a figure subordinated to the author is just a starting point for showing a dynamic figure, full of contradictions, under constant tension between depression and elation, re-creator and at the same time creator (of the translation).
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Mezi rezistencí a adaptací: Každodenní praxe třídy nejchudších

72%
Vašát P.
Sociologický časopis. Czech Sociological Review
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2012
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vol. 48
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issue 2
247-283
EN
The article studies homelessness in the city of Pilsen, but instead of the traditional perspective, which works with the common definition of a ‘homeless person’, it introduces and defines the relational concept of the poorest class. The advantages of this class concept are that: (1) it does not rule out the possibility of the construction of a notion of home by members of this class; (2) it provides more information about social practices generally; (3) it focuses on the agent-individual, avoiding the reification of a homeless person in the form of a homogeneous group. Using the concepts of active agency and space-time the article aims to describe time-space mobility, everyday practices, and the production of places of the observed agents. This study draws on the theories of Pierre Bourdieu and Michel de Certeau and on the space-time theories of David Harvey, Thorsten Hägerstrand, and Michel Foucault. It works with ethnographic data and puts forth the idea that unlike dominant places, which are strategically produced and can be ascribed one dominant meaning and associated practice, in the case of tactically produced places there are always multiple meanings and thus a myriad of associated practices. These specific places are ‘heterotopias’. The article describes the (re)production of one heterotopia and in doing so offers an empirically based conceptualisation of such a place.
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