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Pamiętnik Literacki
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2012
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vol. 103
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issue 3
53-84
EN
The article presents and analyzes the postwar critical and scholarly activity of the Polish émigré critic Tymon Terlecki, who represented the trend in literary criticism known as personalism. Including journalistic writings, reviews, articles, essays, and books, his rich critical output of the postwar years addressed the issues ranging from the responsibilities of Polish writers in exile, the idea of literature committed to moral and political matters, the poetic works of Kazimierz Wierzynski and Stanislaw Wyspianski, to personalistic literary criticism and Christian existentialism. In literature Terlecki saw “a special manifestation of human personality“ and this idea, pervading almost all of his critical and scholarly writings, constitutes the main subject of analysis in the article.
EN
(Polish title: Kilka uwag o witrazach projektu Stanislawa Wyspianskiego i Jozefa Mehoffera w oknie zachodnim kosciola Mariackiego w Krakowie). The stained glass designs by Jozef Mehoffer and Stanislaw Wyspianski for the western window of St. Mary's Church in Krakow have been the subject of extensive research. However, the question of the authorship of individual panels has not been answered yet. On the basis of a remark made by Wyspianski in a letter to his uncle Stankiewicz it can be stated with certainty that the whole left (southern) half of the window was based on Wyspianski's concept. Wyspianski was also the author of the designs for the panels in the tracery. Apart from the answering the attribution questions, the articles discusses also the circumstances in which the designs and the glazings for the western windows were made in the context of the major renovation St. Mary's Church was undergoing in the late 19th century. It also discusses the ideological and artistic questions connected with this set of designs, including the allusions to Veit Stoss sculpture and French art.
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