The article is devoted to a presentation of so far unknown to a wider public of Polish scholars doctoral dissertation „Wesele” Stanislawa Wyspianskiego. Problemy kompozycji (Stanislaw Wyspianski’s „The Wedding.” Problems of Composition) by Maria Renata Mayenowa. The dissertation, typewritten to date, was composed under supervision of Manfred Kridl in 1932 at Stephen Batory Vilnius University. The author of the article sets the dissertation against the then dominating methodological tendencies, and points out both original and derivative features of Mayenowa’s interpretation.
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