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Podział świata sztuki i jego zniesienie

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Dziamski G.
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
|
2019
|
vol. 27(27)
68-87
PL
A starting point is the division of the world of art onto Western and East- ern, and the question whether this division is still relevant after 1989? The Western world of art was equated with the market, the Eastern with ideol- ogy. Does the Eastern art have to join the Western world of art? Will the term avant-garde of third generation allow to better describe the transi- tion of art in real socialism countries? Does avant-garde in the times of post-modernist’s pluralism exist?
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