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Pamiętnik Literacki
|
2019
|
vol. 110
|
issue 1
227-232
PL
Tekst jest recenzją książki Błażeja Warkockiego "Pamiętnik afektów z okresu dojrzewania. Gombrowicz – queer – Sedgwick" ("Memoirs of Affects from a Time of Immaturity. Gombrowicz – queer – Sedgwick"). Autor omówienia podkreśla nowatorstwo metodologiczne i interpretacyjną odkrywczość przedstawionych interpretacji. Jego zdaniem, umiejętny dobór metodologicznych narzędzi pozwolił Warkockiemu na zaproponowanie spójnej wykładni najbardziej ekscentrycznych i enigmatycznych tekstów Witolda Gombrowicza.
EN
The text is a review of Błażej Warkocki’s book „Pamiętnik afektów z okresu dojrzewania. Gombrowicz – queer – Sedgwick” (“Memoirs of Affects from a Time of Immaturity. Gombrowicz – queer – Sedgwick”). The reviewer highlights the methodological innovativeness and interpretive originality of the presented readings. In his view, a skilful selection of methodological tools made here room for suggesting a coherent clarification of Gombrowicz’s most eccentric and enigmatic texts.
EN
The article presents the analysis and interpretation (in the form of a close reading) of Witold Gombrowicz’s short story The Premeditated Crime from his debut collection Memoirs from a Time of Immaturity , 1933 (later published under the title Bakakaj  or Bacacay  in the English translation). The main theoretical framework is the concept of „paranoid Gothic” by Eve Kosofsky Sedgwick, which is based on the reinterpretation of Sigmund Freud’s classic essay Psychoanalytical comments on autobiographically described paranoia . From that perspective Gombrowicz’s narrative is interpreted as a paranoid homosexual narrative, and paranoia itself as a form of love.
PL
The article presents the analysis and interpretation (in the form of a close reading) of Witold Gombrowicz’s short story The Premeditated Crime from his debut collection Memoirs from a Time of Immaturity , 1933 (later published under the title Bakakaj  or Bacacay  in the English translation). The main theoretical framework is the concept of „paranoid Gothic” by Eve Kosofsky Sedgwick, which is based on the reinterpretation of Sigmund Freud’s classic essay Psychoanalytical comments on autobiographically described paranoia . From that perspective Gombrowicz’s narrative is interpreted as a paranoid homosexual narrative, and paranoia itself as a form of love.
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