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Przede wszystkim dla dorosłych.... Psychoanalityczna (jungowska) wykładnia baśni Hansa Christiana Andersena

100%

Kerlin A.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

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2017

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issue 7 "Pomiędzy dziećmi i dorosłymi. Przekraczanie granic w literaturze dla dzieci i młodzieży"

45-66

EN

Fairytale is an ancient literary genre which shows the important issues of life process. It is also an expression of man’s struggle between spiritual and material parts of life, which brings the image of the eternal conflicts, desires and aspirations of people. Fairytale seems to speak to a human language derived from ancient eras, and is the result of cultural heritage of mankind stored in human psyche. Heroes of fairytales are most often mortal men, experiencing adventure, rolling buoys, saving others. It’s true, using the language of myth, that heroes despite their imperfections gain power, treasure, or extraordinary powers. The metaphor of life way as a process in which suffering has an equal status as happiness, well-being is intertwined with evil, and fall walks after lifting, shows the way to the Whole man. Carl Gustav Jung, who was the creator of the concept of collective unconscious, believed that it contains elements specific to the entire humanity, independent of historical processes, either ethnic or cultural. He singled out the archetypes or primitive patterns of beliefs, ideas, patterns of living, experience, common to all men. Fairytale style reflects the complexities specific to each psyche. Integration of internal dark forces, birth of individuality, an internal process of growth, overcoming various conflicts and obstacles in the way of individuation are spiritual experiences which every man undergoes. Fairytale brings the opportunity to discover unconscious resources, which equip the fate of every human being and that s/he which consciously uses to build its standalone “I.” We are accustomed to see in fairytale a genre suitable only for children, which in addition to shaping imagination can overcome fears, integrate ignorance tame in terms of psychological or existential everyday experiences to build relationships with others. All of these components are elements of significant awareness of the potential in the development of small humans, but they are also important in achieving fully human adulthood. An adult is not different much from a child in terms of awareness. S/he is also familiar with the difficulties in coping with life, escapes from everyday life, playing down the sphere of the Shadow or the use of defensive mechanisms to avoid responsibility. But what is considered a child in the way of shaping identity in the life of an adult can have important consequences in forming of self-destruction or destruction. Therefore, it becomes important to understand the motivations of human activities, especially with regard to the integration of opposites by the construction of personality, and of how this path should be carried forward if it would lead to performance. It is important to a modern man to know how to play an important role in psychic sphere of his/her life and discover secrets of the unconscious. Then it is possible to find out that a diagnosis or “treatment” of suffering will no longer need any therapist. Fairytales of Hans Christian Andersen are among exceptional pieces. Gifted with extraordinary sensitivity, the author constructed the story of philosophy, which is characterized by great wisdom of life. You can tell that the writer with a thorough insight studied the problem of man’s place in the world, eyeing his/her dilemmas and being there. His observations were gathered in large collections, because this genre was probably the closest to him when it comes to transfer culturally established standards of ethical behaviour.

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Магија речи у приповеци Момчила Настасијевића Запис о даровима моје рођаке Марије

84%

Жижовић О.

Poznańskie Studia Slawistyczne

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2013

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issue 4

EN

Interpretation of Momčilo Nastasijević’s narrative „An Account of the Gifts of my Cousin Marija” indicated the significance of the storyteller’s belief in the magic of words and in calamitous effect of words on destiny – not only his own destiny, but also that of his cousin Marija. Except the power of words – curse, and magic belief in it, important part in the events is also played by disrespect for somebody else’s word (intensified by the fact that it is the last will of a dying person), as well as by breaking of one’s word (false oath), which also turns to be fatal. Destiny of Marija and that of her cousin is viewed from the perspective of depth psychology, as well as her confronting individual and collective Shadow, and his temporary state of being overwhelmed, and later permanently engulfed by unconscious contents and family Shadow. While Marija comprehends evil in herself and in the world, and through agony and suffering reveals her light side, and experiences enlightenment, her cousin, having heard her story, begins to identify himself with dead Marija, failing to face these contents or fight them creatively. Marija has „light in her life” while expecting the second coming of Christ – coming of the Word, Logos, that will set the world free, so she spends her life doing embroidery, in order to fulfill the Word – what was foretold and announced (spoken and written). Unlike her, under the pressure of his cognition, her cousin falls silent, wishing only for death, which is the only one, he believes, that can untie the knot of his suffering. Still, in order to die peacefully, actually to be able to die at all, near the end of his life he will be compelled to speak, meaning to write down the narrative about his cousin and himself, in order for the „knot of suffering” to be resolved by words, meaning, by the very concept that tied it in the first place.

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W krainie światła, w krainie Cienia. Nad prozą autobiograficzną Faruka Šehicia

73%

Bukwalt M.

Poznańskie Studia Slawistyczne

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2019

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issue 16

69-87

EN

This article is the first attempt in Poland to examine the following issues in The Book of Una, the novel by Faruk Šehić: the problems of autobiographic memory, war trauma, going through the trauma situation in a creation process (autobiography as a symbol of individual identity and an attempt to overcome the stressor). The analysis drew attention to the category of a journey into the depths of one’s self within the so-called past life regression present in the work by this Bosnian author. In the course of the examination, it was revealed that the intimate contact established by and between the protagonist with the important figures from his childhood, sentimental objects, the aquatic element, plant world and places of playing, adventure and shelter has a therapeutic dimension.The aforementioned issues were studied with the use of a set of scientific tools in the area of anthropology of culture (abjective experiences and objects, symbolism of blood, category of childhood), theory of trauma, hypnology and hyperesthesia, polemology, humanistic psychiatry, Bachelard’s theory of poetic image, topoanalysis and poetics of the elements. The process of interpretation also included the Jungian concept of structure of personality known as the Shadow archetype.

PL

The aforementioned issues were studied with the use of a set of scientific tools in the area of anthropology of culture (abjective experiences and objects, symbolism of blood, category of childhood), theory of trauma, hypnology and hyperesthesia, polemology, humanistic psychiatry, Bachelard’s theory of poetic image, topoanalysis and poetics of the elements. The process of interpretation also included the Jungian concept of structure of personality known as the Shadow archetype.

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2 Poznańskie Studia Slawistyczne

1 Jednak Książki. Gdańskie Czasopismo Humanistyczne

1 2019

1 2017

1 2013

1 Bukwalt M.

1 Kerlin A.

1 Жижовић О.

Przede wszystkim dla dorosłych.... Psychoanalityczna (jungowska) wykładnia baśni Hansa Christiana Andersena

Магија речи у приповеци Момчила Настасијевића Запис о даровима моје рођаке Марије

W krainie światła, w krainie Cienia. Nad prozą autobiograficzną Faruka Šehicia