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1

Value Oriented Science for A Sustainable Society

100%
Huba M.
Human Affairs
|
2009
|
vol. 19
|
issue 4
408-420
EN
The essay deals with the relationship between ethics, science and the character of society associated with challenges such as: What is the contemporary role of science in society and how does it fulfil it? Is value oriented "engaged" science possible? What does the responsibility of science mean? What is the reason for and the state of integrative, interdisciplinary, cross-disciplinary and/or post-disciplinary approaches in the science? What is the role and meaning of evaluation in scientific production and/or its usefulness? What is the value, cost and effectiveness of science? Is scientometrics an adequate answer? What is the role of ethics and science in the context of sustainable development/living/society? In the final section of the essay several examples drawing on the international as well as the national level are introduced. The ambition of the author, a professional environmental geographer, is not to submit an extensive excursion into most fashionable aspects of the topic within the global philosophical context. The author describes his own personal experience and position and tries to discover what the emerging challenges and threats in this field may be, first of all in the current Slovak context.
2

Katyń i Generał „Nil” a (długi) zmierzch paradygmatu

100%
Adamczak M.
Kwartalnik Filmowy
|
2012
|
issue 77-78
72-94
EN
This paper builds upon on insights of Artur Zmijewski on recent national blockbusters contained in a volume of The Polish Cinema (Kino polskie) from 1989 to 2009: A Critical history. The insights go beyond the generally accepted views on those films. The author then examines the films Katyn and General “Nil” as phenomena reflecting the kind of “posthumous life” of the romantic paradigm of Polish culture buried nearly two decades ago by Maria Janion, that for decades was seen as anachronistic, but that remains popular and is occasionally revived. He describes its fate in the culture of the Socialist People’s Republic of Poland (PRL), and also considers memoirs as historical sources. In the last part of the article Adamczak presents a new perspective of seeing Jerzy Skolimowski’s Essential Killing and Anna Jadowska’s General as attempts of breaking out of the magic circle of constantly renewing opposition between romanticism and anti-romanticism.
3
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Hamleś Skolimowskiego jako parodia

88%
Hendrykowski M.
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
|
2014
|
vol. 14
|
issue 23
143-151
EN
Hamleś is a brilliant etude made in 1960 by young film-maker Jerzy Skolimowski during his studies in famous Film School in Łódź. In ballad form this mysterious and dark story tells about lost hopes of freedom and strange situation of Polish intelligentsia of the late 1950s in connection with characters of Shakespeare’s tragedy. Skolimowski’s parody has typical for this artistic obsessive-compulsive dimension (Don Fredericksen’s term). Skolimowski took the title and protagonists from the classic drama and transmitted the main subject in a way that is much darker and ironic than the original.
PL
Hamleś is a brilliant etude made in 1960 by young film-maker Jerzy Skolimowski during his studies in famous Film School in Łódź. In ballad form this mysterious and dark story tells about lost hopes of freedom and strange situation of Polish intelligentsia of the late 1950s in connection with characters of Shakespeare’s tragedy. Skolimowski’s parody has typical for this artistic obsessive-compulsive dimension (Don Fredericksen’s term). Skolimowski took the title and protagonists from the classic drama and transmitted the main subject in a way that is much darker and ironic than the original. 
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