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The Southern Room of Amun in the Temple of Hatshepsut at Deir el-Bahari: epigraphic work between 2013 and 2016

100%
Kapiec K.
Polish Archaeology in the Mediterranean
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2017
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vol. 26(1)
207-220
EN
The Southern Room of Amun Project is one of the egyptological projects of the PCMA’s Polish–Egyptian Archaeological and Conservation Mission in the Temple of Hatshepsut at Deir el-Bahari. The paper presents epigraphic work carried out in this room between 2014 and 2015, during which almost the entire wall decoration was recorded. The article is a wall-by-wall presentation, paying special attention to the most important transformations of the reliefs over time
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The Sacred Scents: Examining the Connection Between the ʿntjw and sfṯ in the Context of the Early Eighteenth Dynasty Temples

86%
Kapiec K.
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
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2018
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vol. XXXI
195-217
EN
On the inner north wall of the Southern Room of Amun in the Temple of Hatshepsut at Deir el-Bahari there is a depiction of the so-called frieze of objects, arranged in two rows. In the upper one vessels with oils containing four out of the so-called seven sacred oils and ʿntjw were located. It can be observed that in the sequence of the oils from the ‘seven sacred oils’, the third one – sft – has been replaced by ʿntjw and the two last oils are not depicted at all. In this paper the possible reasons for such a replacement as well as the role of both aromatic substances in the temple ritual in the early Eighteenth Dynasty are examined.
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Decoration of the Two Chests from the Frieze of Objects in the Southern Room of Amun in the Temple of Hatshepsut at Deir el-Bahari

86%
Kapiec K.
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
|
2016
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vol. 29
95–110
EN
During epigraphic works carried out in the Southern Room of Amun (Temple of Hatshepsut at Deir el-Bahari) in season of 2014/2015 painted decoration of two chests with sloping lid from the frieze of objects was recorded. On the side of each chest there are two offering scenes, painted with the use of red colour on the yellow background. In those scenes Hatshepsut is the celebrant and Amun-Re is the beneficiary of the offered goods. Names of the king and the god are originally preserved. The content of these chests, described with the use of labelling inscriptions next to each one of them, and the royal iconography in offering scenes are an expression of the renewal aspect, referring to the king. No analogies to this type of decoration on chests have been found so far.
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