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1

Kontury ruského symbolismu

100%

Svatoň V.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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2015

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vol. 52

37-46

EN

In order to describe the literary processes in the era of symbolism and the following decades it is important to realize that next to the avant-gard movements there is also the trend of the „anti-modern modernism“ (Milan Kundera). Against the emancipatory ideas of the avant-garde (following in the line of European Illumination) there is the continuation of Romantic cosmic visions. The author sees Osip Mandelstam, Andrei Platonov, and Marina Cvetaeva as rare representatives of this line in Russia. They see the Russian Revolution as a cosmic element (rather than a political event), the human being as torn between the perception of the immediate data of consciousness, and the feeling of cosmic movements. The implications of this vision are examined in more detail in the works and poetics of Marina Cvetaeva.

2

BUDDENBROOKS AM SCHWARZEN MEER. VLADIMIR JABOTINSKYS ODESSA-ROMAN DIE FÜNF

83%

von der Lühe I.

Porównania

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2019

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vol. 24

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issue 1

123-133

EN

Irmela von der Lühe, BUDDENBROOKS AT THE BLACK SEA. VLADIMIR JABOTINSKYS ODESSA-NOVEL THE FIVE. “PORÓWNANIA” 1 (24), 2019. Vol. XXIV, P. 123-133. ISSN 1733-165X. When Jabotinksys novel first appeared in Germany (2012) it was celebrated as a spectacular literary event. Jobtinsky’s Jewish family novel is situated in the decades before the revolution of 1905; it deals with revolutionary hope and disappointment, with Jewish assimiliation and the idea of a new liberal and tolerant world. It ends with a complete decline of these visions into brutal antimodernism. This article describes special narrative strategies in producing spaces of memory as streets, places and special public locations. Thereby political events appear as analogies to theater plays and also in a symbolistic framework. By this Jabotinskys novel has become a controversial space of memory not only for political but also literary reasons.

DE

Irmela von der Lühe, BUDDENBROOKS AM SCHWARZEN MEER. VLADIMIR JABOTINSKYS ODESSA-ROMAN DIE FÜNF. „PORÓWNANIA” 1 (24), 2019. T. XXIV, S. 123-133. ISSN 1733-165X. Vladimir Jabotinskys Roman Die Fünf ist bei seinem Erscheinen in Deutschland (2012) als eine literarische Entdeckung gefeiert worden. In der Familiengeschichte der Milgroms aus dem Odessa der Jahre vor der Revolution von 1905 spiegeln sich Hoffnungen und Enttäuschungen der Revolution und der jüdischen Assimiliation, des Aufbruchs in eine neue Welt der Moderne und des Absturzes in eine Welt der brutalen Antimoderne. Der Beitrag untersucht die besonderen literarischen Strategien einer Arbeit an der Erinnerung: des Erzählens von Straßen, Plätzen und Räumen, der Analogisierung des politischen Geschehens mit einem Bühnengeschehen, der symbolistischen Überhöhung der Realität durch Rückgriff auf literarische Texte. Nichtnur aus politischen, auch aus erzählerischen Gründen wird Odessa in Jabotinkskys Roman also zu einem umstrittenen Erinnerungsort.

3

Symbolismus jako inspirace pro 20. století. Pojem „kulturního paradigmatu“

67%

Svatoň V.

Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)

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2017

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vol. 55

46-56

EN

Literary history commonly grounds itself in the heritage of philosophical positivism. It is not only its predilection for facts, but also a belief that the facts themselves can provide for the contours of syntheses and concepts of major styles and genres. The era of symbolism marked the renewed interest in philosophical hermeneutics, and, consequently, the realization that empirical knowledge is structured by a ground of a-priori assumptions (the rehabilitation of “prejudice”). This ground gave rise to a series of major concepts, the best known of which are Ferdinand Saussure’s “langue” and “parole”, but there are many more of similar pairs: Viktor Shklovsky “story” (fabula) and “plot” (syuzhet), Jan Mukařovský’s “semantic gesture” and “structure”, or Yury Tynianov’s “tightness of a verse line” and “syntax”. In the field of philosophy it is Arnold Toynbee’s pair of terms “challenge” and “answer”. Husserl’s concept of “Lebenswelt” is the most important explication of this approach in philosophy.

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1 von der Lühe I.

Kontury ruského symbolismu

BUDDENBROOKS AM SCHWARZEN MEER. VLADIMIR JABOTINSKYS ODESSA-ROMAN DIE FÜNF

Symbolismus jako inspirace pro 20. století. Pojem „kulturního paradigmatu“