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„Krótka pociecha z kosztownych grobszczynów” – groby w „Sielankach nowych ruskich” Józefa Bartłomieja Zimorowica

100%
Rot-Buga E.
Prace Filologiczne. Literaturoznawstwo
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2012
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issue 2(5)
237-256
EN
The article is devoted to the motifs of mortality of Sielanki nowe ruskie (New Russia Bucolics) written by J. B. Zimorowic. The landscape of Ruthenian Arcadia is permeated with the vision of death and destruction of the body – the graves of his loved ones (wife, brother and children) are an important element there. The author reconstructs Zimorowic’s attitude to the tombs, and discusses the role of references to the transience and metapoetic motifs in the context of mourning bucolics (to preserve the memory of the dead). According to the author the abundance of mortality motifs in Zimorowic’s poetry is connected to the poet’s biography, his poetic strategy (writing about the beloved Lviv) and the effi ciency in the use of traditional bucolic tradition.
2
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Przekształcenia mitologii miłosnej jako zasada konstrukcyjna Roksolanek Szymona Zimorowica

80%
Mileszczyk R.
Meluzyna. Dawna Literatura i Kultura
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2020
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vol. 1 (12)
33-43
EN
“Roksolanki” by Szymon Zimorowic is one of the greatest achievements of Polish love poetry. It is characterized by an unconventional and multi-faceted approach to the subject matter, which is strongly tied with tradition. The reader is presented with the perspective from amor coniugalis to amor profanus. There are praises of the sanctity of the marriage relationship, which coexist in one choir with the acceptance and appreciation of promiscuity. As a result, the structure of the cycle seems to be spontaneous and therefore more authentic as a ritual form. In the construction of the work, however free, there are hidden superior semantic structures based on constantly recurring and evolving motifs. Through gradual transformations in the sphere of symbolism, imagery and axiology, the poet changes the vision of love mythology, degrading the position of Venus and Cupid, and in their place, as patrons of love, placing Rozymund and Lilidora.
3

Językowa struktura klątw kochanek w XVII-wiecznych tekstach literackich

80%
Kowalczyk S.
Prace Językoznawcze
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2021
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vol. XXIII/4
235–248
PL
Celem artykułu jest filologiczna analiza miłosnych klątw zawartych w polskich tekstach literackich z XVII w. inspirowana teorią aktów mowy (w tym performatywów i konstatacji) Johna L. Austina oraz pracami z zakresu klątwy ludowej Anny Engelking. Przedmiotem badań są wypowiedzi: Banialuki (romans baśniowy Historyja ucieszna o królewnie Banialuce Hieronima Morsztyna – 1650), Cyceryny (zbiór pieśni Roksolanki Szymona Zimorowica – 1654) oraz Pani (sielanka Odczary na Simonidesowe „Czary” Jana Gawińskiego – połowa XVII w.). Klątwy literackie są rozpatrywane zarówno w kontekście etnolingwistycznej struktury (obiekt – sprawca – wykonawca), sprawczej funkcji wypowiedzi, jak i imperatywów, składni, symboliki, etymologii.
EN
The aim of the article is to undertake philological analysis of love curses described in Polish literary texts from the 17th century. The analysis was inspired by the theory of speech acts (including performatives and constatives) by John L. Austin and works on the folk curse by Anna Engelking. The research centred on the following statements by: Banialuka (Historyja ucieszna o królewnie Banialuce [A Diverting Story about the Virtuous Princess Banialuka], fairy-tale romance by Hieronim Morsztyn – 1650), Cyceryna (Roksolanki [Ruthenian Girls], collection of songs by Szymon Zimorowic – 1654) and Pani (Odczary na Simonidesowe “Czary” idyll by Jan Gawinski – mid. 17th century). Literary curses are considered both in the context of the ethnolinguistic structure (object – perpetrator – performer) and the causative function of an utterance, as well as imperatives, syntax, symbolism and etymology.
4
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SZCZĘŚLIWE ZIEMIE RUSI CZERWONEJ W KREACJACH LITERACKICH WYBRANYCH POETÓW RENESANSU I BAROKU

43%
Krawiec-Złotkowska K.
Ars inter Culturas
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2018
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vol. 7
121-144
EN
In the study Happy Lands of Red Ruthenia in selected renaissance and baroque poets’ literary creations there were explored associations of literary space with European poetry’s tradition, especially Italian, as well as with native tradition vested with local habits and ceremonies. Those affiliations created in Sebastian Fabian Klonowic, Szymon Zimorowic and Józef Bartłomiej Zimorowic’s chosen pieces. Studies contained Sebastian Fabian Klonowic’s poem Roksolania czyli ziemie Czerwonej Rusi and Zimorowic brothers’ poetic cycles Roksolanki and Sielanki nowe ruskie. Thematics of those pieces pertain to space and tradition of Red Ruthenia, however it is possible to indicate affiliations with Mediterranean culture in them (especially in context of conventional speech poetics connected with mythological and mythical literary tradition). Analyzed pieces confirm that renaissance and baroque’s culture of former Republic of Poland shaped under the influence of European heritage. At the same time, for Mediterranean those pieces could become a source of inspiration (for example Zimorowic brothers’ bucolic cycles correspond with music and former dances) or knowledge (Klonowic’s poem shows unknown areas of Republic of Poland’s southeast borders for European reader). An image of nature and Red Ruthenia’s literary landscape, which appears in those poets’ works, places their legacy in the circle of convention, tradition and universal values.
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