The paper focuses on the specific aspects of the manuscript irmologion of Ján Juhasevič Skliarskij. The unique details are shown not only by precise book presentations but also by the language and music records and a rare repertoire system. Presented irmologion redounds to the understanding of scribes, music and liturgical practice in the region of Byzantine-Slavonic tradition in Slovakia and the Sub‘Carpathian area.
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