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Filozofia (Philosophy)
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2006
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vol. 61
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issue 6
464-473
EN
In his phenomenal system of the theological and philosophical thought Paul Tillich deals also with the question of the relationship between the aesthetic and religious aspects of a human spirit, which receive the concrete forms in art, particularly in arts. This relationship has an existential meaning. It means that we can talk about the theology of art, especially having in mind the visual, graphic, musical and literal depictions and, last but not least, the architecture. Every work of art represents a substantial form of expressing the profound train of thoughts, the feelings and visions of the artist. These have the same meaning and importance as the religious life of the people. They all are the reflections of the same concepts, i. e. there is a very close mutual relationship between the theology, religion and art, which always has to be taken into account when we are concerned with the fundamental aspects of being: with its meaning, purpose and the goal.
Studia theologica
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2009
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vol. 11
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issue 2
35-49
EN
The article presents the Christology of Paul Tillich in his Systematic Theology with the aim of explaining his theological conception in relation to orthodoxy. In the first part of the article, there are sketched the main events of Tillich's life. In the second part, the reader is informed about 'Systematic Theology' in general. In the third part the author of this article follows the Tillich's work on some basic themes of Christology. He finds that Tillich takes an adoptianistic conception of Jesus as the Christ who is made capable by God of becoming the New Being and who is accepted by disciples in this way. Although various important implications of the revelatory and redemptive signification of the Christ's divine nature are absent his Christology shows many prophetic accents and intuitions which were successfully developed in theology later.
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