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EN
In the presented paper having the character of scientific consideration we strive for a conceptual and relational (operational) reconstruction of the Mistrík’s sense of the essay and essayistic style, which in his conception belongs to the primary, subjective-objective communication styles. We used for this purpose the triangulation method used to determine the position of 3D objects in geodesy and cartography. Based on a critical reflection of relatively well-known facts and statements about the essayistic style, we gradually set aside the triangulation points of Mistrík’s model of essay and update it about the current language situation, ergo situation in stylistics significantly influenced by digital and multimedia communication tools. We document our findings with text fragments from older and also contemporary essayistic texts.
EN
The author presents those of the views of Davidson that are connected one way or another with epistemic objectivity and the boundaries of knowledge. He discusses Davidson's conception of 'radical interpretation' together with Davidson's theory of truth, and shows how these two conceptions underlie Davidson's specific arguments. The idea of 'triangulation' of premises is also examined in order to amplify Davidson's preconception about coordination of presuppositions. Having competed this exposition the author argues that a fundamental assumption about creation and growth of holistic knowledge is communication. Which in turn indicates that the level of objectivity and the precision of true propositions by which we are affected can be enhanced in the process of communication.
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