Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

Refine search results

Journals help

  1. 2 Kwartalnik Filmowy

Years help

  1. 2 2012

Authors help

  1. 1 Haltof M.

  2. 1 Rutkowska T.

Results found: 2

first rewind previous Page / 1 next fast forward last

Search results

Search:
in the keywords:  The Passenger
help Sort By:

help Limit search:
first rewind previous Page / 1 next fast forward last
1

Holokaust i polityka

100%
Rutkowska T.
Kwartalnik Filmowy
|
2012
|
issue 77-78
319-322
EN
A book review of Marek Haltof’s Polish Film and the Holocaust. Politics and Memory (2012), in which the author takes up the question of representation of Holocaust in Polish film. Haltof carries out a meticulous analyses of films, and relates them to the political, ideological and cultural contexts of time in which they were made. Amongst others he considers: Wanda Jakubowska’s The Last Stage, Aleksander Ford’s Border Street, Andrzej Wajda’s Generation and Andrzej Munk’s The Passenger. Haltof also discusses films made after the end of 1989, after a period of silence (the years of 1965-1980), when the subject of the Holocaust was reluctantly taken up by film-makers. Amongst others he considers Andrzej Wajda’s Korczak and Roman Polański’s The Pianist. Haltof’s book can also be viewed in terms of an important contribution towards the discussion of Polish national memory.
2

Obrazy Holokaustu w filmach z okresu polskiej szkoły filmowej (1955-1965)

75%
Haltof M.
Kwartalnik Filmowy
|
2012
|
issue 77-78
112-146
EN
The author analyses the ways Holocaust was presented in Polish films that were made during the existence of the Polish Film School. Using the examples of films, the majority of which remains in the shadow of the great „canon” of the Polish school, Haltof attempts to place the image of Holocaust presented in them within the artistic, historical and political context. The author analyses films such as Andrzej Wajda’s Samson, and Generation, Ewa and Czeslaw Petelski’s Barker, Stanislaw Rozewicz’s Birth Certificate, Jerzy Zarzycki’s White Bear, and Andrzej Munk’s The Passenger, as well as two short films: Andrzej Brzozowski’s By the Railway Track, and Janusz Morgenstern’s Ambulance. By analyzing them, the author writes about how ways of connecting and disconnecting the Polish and Jewish fate, the tragedy of children that were victims of the Holocaust, about the attitudes of Poles towards Jews seeking help, and of the film attempts to find the psychological dimension of the relationship between the oppressed and the oppressors.
first rewind previous Page / 1 next fast forward last
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.