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EN
The study explores theoretical works and managing activities of Czech set-designer Miroslav Kouřil (1911–1984). First part is devoted to two crucial periods in Kouřil’s professional life: his career of a stage designer, and the following involvement in theoretical reception of theatre and practical organization of theatre life in the then Czechoslovakia. In the second part, attention is drawn to Kouřil’s presidency over the Czech Scenographic Institute, and to the project of the Encyclopaedia of the Set Design managed by him. In the third part, the author concerns with Kouřil’s theoretical works, especially the way in which he used structuralist methodology to analyse theatre productions.
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Úkoly Scénografického ústavu

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EN
The present study, based on a bachelor thesis of the same title, presents a limited number of outcomes from vast scale of activities the Czech Scenographic Institute carried out over some fifteen years of its existence, especially those connected to the use of various types of spaces for theatrical productions. Another point of reference is the personality of Miroslav Kouřil, head of the institute, whose theoretical works on theatrical space have been also analysed to reveal Kouřil’s opinions on its functions, characteristics, etc. The second part of the paper covers concrete projects of the Institute, such as the Luminescent Theatre, Experimental Studio, and the Study of Revitalization of the Emmaus Monastery in Prague. The study is appended by Kouřil’s “Essay on the improvement of theatre buildings and theatre halls”, that makes suggestions concerning possible future localization and operation of theatres in Prague.
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