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Vox Patrum
|
2001
|
vol. 40
665-678
EN
bibliography
PL
bibliografia
EN
The purpose of the article is to reconstruct polemics about Jan Józef Szczepański’s literary debut, the short story “Buty” (The Shoes), published in Tygodnik Powszechy (1947, no. 6). The analysis of Szczepański’s answer to the readers’ objections and to Kazimierz Wyka’s review leads to conclusions that this controversy helped Szczepański to rethink the tasks of literature and to understand his own role as a writer. At the time of his debut, Szczepański formulated a programme of creativity based on the truth of his experience of evil during the Second World War. This programme did not match the readers’ expectations, as they were hoping that a writer dealing with a wartime subject would take up the myth of Good and Evil, which justified a national code popular in Polish literature, i.e. “the holy fight for the homeland.”
EN
The purpose of this article is to conduct a critical discourse analysis (CDA). Two weeklies Newsweek Polska and Tygodnik Powszechny have been selected for the analysis. The focus was placed on texts on nature conservation and environmental protection, published in 2015 and 2016. The CDA is both a theory as well as a method of study. In the first part of article the concepts: nature conversation and environmental protection are defined and characterised using the CDA. In the second part a quantitative and qualitative analysis of discourse is performed. The results of the analysis indicate that Newsweek has published more articles on nature conservation and they promoted more broadly nature friendly attitudes in comparison with the texts published in Tygodnik Powszechny. In addition, in Newsweek there were proportionally more topics which analysed the issue from a global perspective. When it comes to motives, economic and moral arguments were presented in similar proportions in both weeklies.
PL
W niniejszym artykule przeprowadzona została krytyczna analiza dyskursu prasowego (KDA). W celu realizacji badań wybrane zostały dwa tygodniki: liberalno-lewicowy – Newsweek Polska (N) i liberalno-katolicki – Tygodnik Powszechny (TP). Analizie jakościowej i ilościowej poddane zostały artykuły na temat ochrony przyrody i środowiska, jakie ukazały się we wspomnianych czasopismach w ciągu ostatnich dwóch lat. Podstawową metodą badawczą wykorzystaną w badaniach była wspomniana KAD, a dokładnie – wybrane wątki wchodzące w jej skład. W jej wyniku weryfikacji poddane zostały hipotezy badawcze zakładające: że w dyskursie N częściej prezentowano kwestie ochrony przyrody; że kreowano w nim bardziej przyjazny stosunek do niej, niż w TP, a także, że w dyskursie N przeważała perspektywa globalna oraz wymiar moralny, natomiast w TP – aspekt lokalny i czynniki ekonomiczne. Wyniki badań wskazują, że w celu poprawy kondycji przyrody i środowiska potrzebne jest szersze propagowanie poprzez dyskurs prasowy , postaw proekologicznych.
5
63%
Ochrona Zabytków
|
1948
|
issue 2
92-93
EN
Since the invention of print, the media have been increasingly influencing individual and social awareness. They seem apt to undo, in a relatively short period of time, whatever good the upbringing and authorities of a high moral standard have instilled into a person. However, the media can also support the development of this good in a significant way. They are a powerful tool that everyone has to reckon with, they are a place to exchange all sorts of ideas – from the worst to the best. That is the reason why anyone who wants to proclaim the principle of Christian personalism in society should try to think through how to wisely use them to spread the message. However, this message will inevitably meet with strong opposition from people who have opposite beliefs and from the media they own, as they have made them a fundamental place for the struggle for power and dominion over human consciousness. This article, written on the basis of theoretical considerations, but also the rich media experience of the author, attempts to provide practical advice on these matters. The article explains the common structure of all such opposition that follows the pattern of the very loud media case of Fr. Krzysztof Charamsa (in which the author was himself deeply entangled), Tygodnik Powszechny and Gazeta Wyborcza which supported him. In this way, the article shows the mechanisms of manipulation of contemporary media, but also the remedies available.
PL
Celem niniejszego artykułu było uzyskanie odpowiedzi na pytania: jakie zasady i wytyczne stosował Główny Urząd Kontroli Prasy, Publikacji i Widowisk w stosunku do autora "Zniewolonego umysłu" po przyznaniu poecie Nagrody Nobla, gdy stał się on znany na Zachodzie oraz w jakich okolicznościach – wbrew wytycznym cenzury – nazwisko Czesława Miłosza mogło pojawić się w oficjalnych publikacjach. Jako materiał badawczy przyjęto numery „Tygodnika Powszechnego” wydawane od października (po ogłoszeniu decyzji Akademii Sztokholmskiej) do grudnia 1980 roku, które pokazują, jak Miłosz-emigrant był obecny w opiniotwórczym wówczas katolickim czasopiśmie w świetle zapisów cenzury.
RU
The first text (Teatralne przewidywania, ”Miesięcznik Literacki” 1942) concerns mainly the theatre, while the second one (O cyrkulacji piękna, „Tygodnik Powszechny” 1945) basically relates to cultural issues. They complement each other. Due to the common motif of social perception of creative work, they are significant for a more general reflection upon socialartistic phenomena in the collective life of a given society. The reality of war and occupation are not directly visible in Kudlinski’s views, as he emphasised, above all, the ideologicalorganisational aspect of theatrical life in the upcoming years. Taking into consideration folk theatre, professional and artistic-amateur theatre, he was convinced that they should be somehow combined, but remaining distinct. He regarded this option as a potential implementation of ”the idea of harmonious circulation of beauty by Norwid”. From this perspective, restoring value to folk art corresponds to the concept of circulation of artistic phenomena and understanding creation as «encouraging one another to work», and as «a flag on the tower of man’s work», stressed by the author of Promethidion, That is how Kudliński turned his work into a kind of art manifesto in the predictable realityof postwar years.  
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