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Biblioteka Uniwersytecka w Valladolid - historia i współczesność

100%

Stachnik M.

Biblioteka i Edukacja

2016

issue 10

Valladolid to miasto o niezwykłej historii wpisanej w dzieje Hiszpanii, w którym na każdym kroku przeszłość współistnieje z teraźniejszością. Wspaniałe zabytki oraz jeden z najstarszych uniwersytetów na świecie z równie niezwykłą biblioteką tworzą część bogatych zasobów dziedzictwa narodowego i kulturowego Hiszpanii. W artykule przedstawiono krótką historię miasta i jego monumentów. Zaprezentowano także Bibliotekę Uniwersytetu w Valladolid, jej zbiory oraz źródła elektronicznego dostępu do informacji. W sposób rozszerzony opisano trzy biblioteki wchodzące w skład Biblioteki Uniwersyteckiej: Bibliotekę Królowej Zofii, Bibliotekę Historyczną Santa Cruz, Bibliotekę Kampusu Miguel Delibes, a także Centrum Dokumentacji Europejskiej.

Valladolid is a city with a rich historical background that played a significant role in Spain’s history. It is a place where the tracks of the past coexist with the present. In Valladolid you may find a great number of amazing monuments and one of the oldest universities in the world with a splendid library. All of that constitutes an important part of the cultural and national heritage of Spain. This article shows a short history of Valladolid and its monuments. It contains a general description of Valladolid’s University Library, its collections and electronical access resources. The article focuses on a more detailed depiction of three libraries that belong to the University Library of Valladolid: Queen Sofia’s Library, Historical Library of Santa Cruz and Miguel Delibes Campus Library, as well as a description of the European Documentation Centre.

Kieślowski in Spain: History, Reception and Inspiration

71%

Bardzińska J.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

2018

vol. 24

issue 33

117-127

The films of Krzysztof Kieślowski arrived in Spain comparatively late, and when they did so this was mainly due to the Film Festivals at San Sebastián and Valladolid, as well the efforts of independent producers like the brothers José María and Miguel Morales of Wanda Films. In 1988, A Short Film About Love was presented at the San Sebastián Festival, where it won the Special Prize and the FIPRESCI Prize, and caught the attention of Spanish critics. To this day, Kieślowski remains the Polish director best-known to the Spanish – as was made clear in 2016, by the numerous events and screenings marking the 20th anniversary of his death. There can be no doubt that, in the homeland of Buñuel, no other Polish director evokes as much enthusiasm. Considering the Spanish reaction to the maker of the Three Colours, this article focuses on the distribution of Kieślowski’s works in Spain, as well as the director’s presence at the Spanish Festivals. Further subjects of analysis are reviews by Spanish critics and the state of research into Kieslowski’s creative output in the Spanish language, as well as the release of his films on DVD and Blu-Ray. The above focus on festivals, the attitudes of critics, and the popularity among the Spanish viewing public is supplemented by a study of the impact of Kieślowski’s output on the work of Spanish directors, as well as efforts to discern the direct influence of the former’s films in offering the latter inspiration.

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1 Biblioteka i Edukacja

1 Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

1 2018

1 2016

1 Bardzińska J.

1 Stachnik M.

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Biblioteka Uniwersytecka w Valladolid - historia i współczesność

Kieślowski in Spain: History, Reception and Inspiration