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Виктор Шкловский в диалоге с Шекспиром

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Мних Л.
Acta Universitatis Lodziensis. Folia Litteraria Rossica
|
2019
|
issue 12
173-181
EN
The article investigates references to Shakespeare in the works of Viktor Shklovsky, an outstanding representative of the Russian formalism. The author of the paper analyses literary studies by Shklovsky in which Shakespeare’s texts are interpreted. In his early works (dating to the 1920s–1930s) Shklovsky referred to Shakespeare to justify the new terminology of the Russian formalism, while his later works were devoted to the study of Shakespeare’s texts.
RU
В статье рассмотрен шекспировский дискурс в работах видного представителя русского формализма Виктора Шкловского. Автор анализирует литературоведческие работы Шкловского, в которых интерпретируются тексты Шекспира. В ранних работах 1920–30-х годов В. Шкловский обращался к Шекспиру для обоснования новой терминологии русских формалистов, а более поздние работы ученого уже непосредственно посвящены изучению произведений Шекспира.
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Ostranenie Does Not Equal Ozvláštnění: An Issue of a Term Transferred and Misunderstood

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Heczková L., Svatoňová K.
Slovo a smysl - Word & Sense
|
2015
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vol. 12
|
issue 24
50-58
EN
The text focuses on the question of the transfer and translation of several Formalist concepts, such as ostranenie and tochka zrenia. The interpretation is based on Boris Uspensky’s A Poetics of Composition, it revisits the original definition provided Viktor Shklovsky and illustrates it by the work of the German photographer Barbara Probst.
CS
Text se věnuje problematice transferu a překladu několika pojmů (ostraněnije, točka zrenija a dalších) ruské formální školy. Interpretace pojmů vychází z knihy Borise Uspenského Poetika kompozice, vrací se zpět k původnímu konceptu Viktora Šklovského a ilustruje je pomocí tvorby německé fotografky Barbary Probst.
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