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Pamiętnik Literacki
|
2013
|
vol. 104
|
issue 2
137–147
EN
The article presents a mechanism Young Poland’s poetics collaboration within one piece of art in order to struggle through the external sign, all with the aim of penetrating the deepest reserves of common consciousness. Moving within the limits of impressionist and expressionist and naturalist imagery dialectics, the receiver of pieces of art realising correspondances des arts penetrates the images of the presented world at different levels, from their tangible clarity through sensationality and emotionality to embrace them into a symbolic metaphor. The author of the article views this aspect of simultaneous coupling the various poetics as a value which determines the verbal record superiority over the painting one.
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