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PL
W artykule autor proponuje poddać analizie lingwistycznej tekst piosenki Tadeusza Chyły „Spis”. Utwór ten ze względu na licznie nagromadzone w nim deminutywa (mające na płaszczyźnie pragmatycznej status afektonimów) stanowi podstawę do omówienia reguł tworzenia zdrobnień w polszczyźnie. Rozważaniom tym towarzyszy refleksja na temat lekceważącego stosunku do słowotwórstwa w glottodydaktyce jpjo, wynikająca m.in. z przypisywanej słowotwórstwu niekategorialności.
EN
In this article the author suggests a linguistic analysis of Tadeusz Chyla’s song “Spis”. This piece, because of the large number of diminutives (which become afectonims in the pragmatic sphere), constitutes a base to explain the rules of the diminutives formation in Polish. These deliberations are accompanied by the reflection about the disrespectful attitude to the word-formation in glottodidactic of Polish as a foreign language, which is mainly the result of attributing the noncategoriablity to the word-formation.
Język Polski
|
2015
|
vol. 95
|
issue 5
418-432
PL
Artykuł podejmuje próbę przedstawienia dawnych i współczesnych sposobów zwracania się do matki. Wyjaśnia budowę poszczególnych słów oraz przyczyny zmian w ich zasobie we współczesnym języku polskim. Wykorzystany w artykule materiał językowy pozyskany został drogą badań ankietowych i ekscerpcji wybranych źródeł słownikowych.
EN
The article aims to present past and contemporary forms of addressing a mother. It describes the structure of those words as well as the main causes of changes in this group in contemporary Polish language. The language material used in the article comes from queries, research and excerpts from existing lexical sources.
EN
This paper touches upon contemporary Polish affective names as a specific lexical category. The paper discusses the material collected in Annex, which is to illustrate changes within the onomastic category under analysis. The analyses proposed by the author draw upon the dictionary of Terms of Endearment by Mirosław Basko and Agnieszka Zygmunt, published in 2010. The author also relies on the collection of intimate vocabulary extracted from the letters of some 20th-century writers to their loved ones. The corpus of affectionate names is analysed in terms of their grammatical and thematic status quo: the majority of cases are nouns and adjectives; morphologically – most of them are diminutives, hypocorisms and augmentatives. The author also focuses on the use of vulgarisms - sexual expressions in particular – in naming intimately close persons, and on affectionate names inspired by English, such as names of characters from famous films, cartoons or satirical series and dramas.
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