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1

READING LIKE THE JAPANESE: THE GOTHIC AESTHETICS OF HORROR IN SHAKESPEARE’S TITUS ANDRONICUS

100%

Raducanu A.

Gender Studies

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2013

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vol. 12

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issue 1

144-163

EN

Shakespeare’s plays have been universally praised for centuries. However, Titus Andronicus was not included in this positive evaluation until the second half of the 20th century, when mainly feminist criticism contributed to an academically kinder re-assessment of this generally gory play. This paper, focusing on the issues of aesthetic value and the deletion of empathy, proposes a defamiliarized, a different reading of this Shakespearean play, from the perspective of the Japanese people, ‘famous’ for aesthetically enjoying the cathartic showing of gratuitous violence.

2

Transgresje i transpozycje myśli Brechta w sztukach Rolanda Schimmelpfenniga

58%

Feliszewski Z. M.

ER(R)GO: Teoria – Literatura – Kultura

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2019

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issue 39

87-98

EN

The author of this article attempts to assess the influences of Brecht’s theory on the literary production by contemporary German playwright Roland Schimmelpfennig. The author follows their transgressions and transpositions based on selected examples of his plays. Referring to the definition of transgression given by Grzegorz Petrek, he attempts to analyse such issues as acting, alienation, the meaning of text and image in Brecht’s drama, as well as its didactic and political potential. With regard to drama and theatre in German, Schimmelpfennig has been under an immense influence of Brecht’s ideas and practices.

PL

Autor niniejszej pracy bada wpływy myśli Bertolta Brechta na twórczość dramatyczną współcześnie tworzącego Rolanda Schimmelpfenniga, śledząc ich przesunięcia, transgresje i transpozycje na wybranych przykładach oraz odwołując się do wywiadów i wykładów autora. W oparciu o definicję transgresji zaproponowaną przez Grzegorza Petrka podejmuje próbę usytuowania zagadnień gry aktorskiej, wyobcowania, roli tekstu i obrazu w dramacie, jego dydaktycznego i politycznego potencjału. Wobec tradycji niemieckojęzycznego dramatu i teatru, Schimmelpfennig po dziś dzień znajduje się pod niemałym wpływem idei i praktyki stworzonej przez Brechta.

3

Dramaturgia "Dwóch ludzi z szafą"

44%

Hendrykowski M.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

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2015

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vol. 16

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issue 25

189-201

EN

The Dramaturgy of Roman Polański’s Two Men with a Wardrobe Marek Hendrykowski’s case study on Polański’s famous student etude Two Men with a Wardrobe reconstructs this wonderful short movie take-by-take: a must for anyone who cares about cinema as art. The young (24 years old) director, together with a team of talented colleagues (cameraman Maciej Kijowski, actors Jakub Goldberg and Henryk Kluba, director’s assistant Andrzej Kostenko and film music composer and jazzman Krzysztof Komeda), demonstrated a very modern way of thinking about the art of the moving image and about the various possibilities hidden in the simple poetics of screen drama. From its opening scene on the beach to the dramatic and nostalgic ending with a comeback to the sea, the film charts two men’s struggles on the difficult path to becoming independent human beings enjoying their own freedom.

Refine search results

1 ER(R)GO: Teoria – Literatura – Kultura

1 Gender Studies

1 Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

1 2019

1 2015

1 2013

1 Feliszewski Z. M.

1 Hendrykowski M.

1 Raducanu A.

READING LIKE THE JAPANESE: THE GOTHIC AESTHETICS OF HORROR IN SHAKESPEARE’S TITUS ANDRONICUS

Transgresje i transpozycje myśli Brechta w sztukach Rolanda Schimmelpfenniga

Dramaturgia "Dwóch ludzi z szafą"