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Veridizione e Verità nel Racconto di Luca

100%

Crimella M.

The Biblical Annals

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2017

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vol. 7

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issue 2

235-250

EN

The article proposes the two itineraries inside the Gospel of Luke. The first one is gnoseologic as it tries to illumine the process of veridiction brought about by the narrative itself, according to the narrative pact established by Luke (cf. Luke , - ). Here, the reader is called to a continuous interpretative exercise with respect to the person of Christ who is presented first in the Infancy narrative and then in the course of his ministry. The second itinerary belongs to the “reception history” and it’s connected with the search for Jesus (ζητέω). It regards the anthropological turn, stemming from the same disclosure of the historical figure of the Nazarene, the turn that leads to the manifestation of God’s truth.

IT

The article proposes the two itineraries inside the Gospel of Luke. The first one is gnoseologic as it tries to illumine the process of veridiction brought about by the narrative itself, according to the narrative pact established by Luke (cf. Luke 1,1-4). Here, the reader is called to a continuous interpretative exercise with respect to the person of Christ who is presented first in the Infancy narrative and then in the course of his ministry. The second itinerary belongs to the “reception history” and it’s connected with the search for Jesus (ζητέω). It regards the anthropological turn, stemming from the same disclosure of the historical figure of the Nazarene, the turn that leads to the manifestation of God’s truth.

2

“Chi è quest’uomo che osa anche rimettere i peccati?” (Lc 7,49). La trama ed il clou del racconto lucano sulla donna peccatrice (Lc 7,36-50)

80%

Kowalski M.

The Biblical Annals

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2014

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vol. 4

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issue 1

97-120

PL

The story of the sinful woman (Luke 7:36-50) is an excellent example of Luke’s narrative skills. It presents a coherent plot, abounds in interesting turning points, and shows a vivid interaction between main characters. In the same time, the story is filled with tensions, gaps and ambiguity which regard the gestures of the woman, the forgiveness she receives, and the role which in the entire process is played by Jesus. The purpose of the present article lies in illumining the development of Luke’s account with the use of the narrative approach. The story is divided into scenes and set up in the spatial-temporal, and socio-cultural frame. The scheme of the narration is labeled as a plot of discovery. Its focal point is not the love or faith of the sinful woman, but the identity of Jesus. The full revelation of his divine authority takes place in the pardon of sins granted to the woman (vv.47a.48), which brings to completion the ongoing process of her reconciliation. The article finishes with the analysis of interaction between the text and its readers and with the exposition of the techniques used by the narrator to shape the competences and the choices made by the recipients of the story.

3

“Il cuore spezzato”. La figura di Davide nell’analisi narrativa di 2 Sam 18:19-19:9

80%

Stachera D.

Łódzkie Studia Teologiczne

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2022

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vol. 31

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issue 4

87-110

EN

In the story of King David’s kingdom, the author of the Second Book of Samuel describes not only historical facts, but by means of various narrative and stylistic devices, allows the reader to enter the world of the personalities, interrelationships and inner experiences of the various characters. The narrative of 2Sam 18:19-19:9 is distinguished by dynamic shifts in perspective and action, long moments of complication, the use of different characters and irony to make the characteristics of the protagonist visible. Consequently, the story of David, who learns of the death of his son Absalom, is the story of a man facing an internal conflict concerning the roles assigned to him by life – father and king. This conflict breaks the heart of the legendary King David, which at the same time makes his character, caught up in conflicting emotions, closer to the ordinary reader.

PL

Autor Drugiej Księgi Samuela w historii o królestwie króla Dawida opisuje nie tylko historyczne fakty, ale za pomocą różnych zabiegów narracyjnych i stylistycznych pozwala czytelnikowi wejść w świat osobowości, wzajemnych relacji i wewnętrznych przeżyć różnych postaci. Narracja 2 Sam 18:19-19:9 wyróżnia się dynamicznymi zmianami perspektyw i akcji, długimi momentami komplikacji, wykorzystaniem różnych postaci i ironii do uwidocznienia cech bohatera. W konsekwencji, opowiadanie o Dawidzie, który dowiaduje się o śmierci swojego syna Absaloma, jest opowiadaniem o człowieku stojącym w obliczu wewnętrznego konfliktu dotyczącego ról, zadanych mu przez życie – ojca i króla. Ten konflikt łamie serce legendarnego króla Dawida, co jednocześnie sprawia, że jego postać uwikłana sprzecznymi emocjami, staje się bliższa zwykłemu czytelnikowi.

IT

L’autore del Secondo libro di Samuele nel racconto del regno del re Davide non si limita a descrivere i fatti storici ma, attraverso vari espedienti narrativi e stilistici, permette al lettore di entrare nel mondo dei personaggi, delle loro interazioni, della loro interiorità. La narrazione di 2Sam 18:19-19:9 si distingue per i cambi dinamici di prospettiva e di azione, i lunghi momenti di complicazione, l’uso di diversi personaggi e l’ironia per rendere visibili le caratteristiche del protagonista. Di conseguenza, la storia di Davide che viene a sapere della morte di suo figlio Assalonne, è la storia di un uomo che affronta un conflitto interiore riguardo ai ruoli che la vita gli ha attribuito – padre e re. Questo conflitto spezza il cuore del leggendario re Davide, e allo stesso tempo rende il suo personaggio, preso da emozioni contrastanti, più vicino al lettore comune.

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Veridizione e Verità nel Racconto di Luca

“Chi è quest’uomo che osa anche rimettere i peccati?” (Lc 7,49). La trama ed il clou del racconto lucano sulla donna peccatrice (Lc 7,36-50)

“Il cuore spezzato”. La figura di Davide nell’analisi narrativa di 2 Sam 18:19-19:9