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1

MUZEUM – PRZESTRZEŃ PUBLICZNA I MIEJSCE SPOŁECZNE

100%

Skrobot W.

Muzealnictwo

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2015

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vol. 56

219-225

XX

The subject matter of this text is a broad context of social activities focused on the institution of the museum. These activities comprise initiating procedures for establishing the culture of remembrance and civic responsibility in order to strengthen the cultural heritage in creating the local community, in the social and cultural, and social and economic sense. The texts refers to a statement in Resolution no.6 from the 1st Congress of Polish Museum Professionals that ‘it is essential to launch a programme, within the framework of programmes of the Polish Minister of Culture and National Heritage, which would directly support pro-museum social activities’. Another important message is that this statement creates new creative possibilities based on activating the participation potential of institutions of the culture of remembrance. The author highlights the importance of launching the procedures of the Social Capital Development Strategy, as well as other tools whose activation is the responsibility of the Polish Minister of Culture and National Heritage. These reflections are supplemented by a regional annex with short descriptions of cultural initiatives in Ostróda County (Warmian-Masurian Voivodeshop), carried out thanks to community actions, which is focused on revealing the inhabitants’ needs for integration by creating local institutions of the culture of remembrance

PL

Przedmiotem rozważań niniejszego tekstu jest szeroki kontekst działalności społecznej skoncentrowanej wokół instytucji muzeum. Działania te to inicjowanie procedur służących budowaniu kultury pamięci i obywatelskiego poczucia odpowiedzialności za wzmocnienie roli dziedzictwa kulturowego w tworzeniu wspólnoty lokalnej, w wymiarach społeczno-kulturowym i społeczno-ekonomicznym. Tekst odnosi się do zapisu uchwały nr 6 I Kongresu Muzealników Polskich, iż należy stworzyć – w ramach programów Ministra Kultury i Dziedzictwa Narodowego – program bezpośrednio wspierający promuzealne działalności społeczne. Ważne jest też przesłanie, że zapis ten otwieranowe możliwości kreacyjne i stwórcze, oparte na uaktywnianiu partycypacyjnego potencjału instytucji kultury pamięci. Autor wskazuje tu na istotność zainaugurowania procedur Strategii Rozwoju Kapitału Społecznego i innych narzędzi, których uruchomienie leży w gestii Ministra Kultury i Dziedzictwa Narodowego. Rozważania uzupełnia aneks regionalny, zawierający krótkie opisy inicjatyw kulturotwórczych w powiecie ostródzkim (woj. warmińsko-mazurskie), realizowanych we wspólnotowym działaniu, nakierowanym na ujawnianie potrzeb integratywnych mieszkańców poprzez tworzenie lokalnych instytucji kultury pamięci.

2

Ekspresja trajektorii w figurach wędrownych – próba kinetyczno-literackiej optyki

86%

Skrzypczak M.

Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica

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2014

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vol. 2

51-61

EN

The article undertakes the problem of the rhetoric of walking (particularly the way of walking), travelling, experiencing the space and – what is most important – wandering figures as literary and anthropological devices that can be used for analyzing and interpreting literary spaces as well as private trajectories and individual paths. In accordance with the literary and social research of Jean-Francois Augoyard, Michel de Certeau and Joanna Ślósarska, the main thesis of the article is that the figures of speech are the same for both the language and the space. In addition, the article is an attempt of checking whether the way of walking and “tasting” the space (step by step) could inspire new possibilities of interpretation. It tries to apply wandering figures in practice, which is exemplified by Description of a struggle (1912) – one of the earliest stories by Franz Kafka.

3

W parku z Raymondem Rousselem – anamorfoza i ornament

71%

Gołąb M.

Śląskie Studia Polonistyczne

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2018

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vol. 11

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issue 1

71-88

EN

The article is devoted to the semantic and composition functions of the figure of a park/garden in Raymond Roussel’s novel Locus Solus. The issue discussed in this paper concerns a pretextual function of fictional space for the narration mode and sequential order of the novel. An attempt is made to supplement the dominant structuralist tradition of interpreting Roussel’s work, for example, with the concepts appearing in Maria Gołaszewska’s eco-aesthetic approach and Arnold Berleant’s environmental aesthetics. The proposed direction of reflections allows us to see in the rhetorical aspects of Roussel’s style, among which numerous hyperboles particularly attract the reader’s attention, a narrative method of anthropologically understood imaginary structures. These structures were based on the systems of objects, whose task, apart from rhetorical and cultural deluding, governed by the poetics of absurd, is to determine an anthropological point of observation in the very problem of visual experience connected with the walk in the park, intended by Roussel as an integral element of the plot. The article points out that the main problem of the novel is garden space seen from the perspective of visual anthropology, with the cultural pattern of an imaginary structure determined by the space. This space is given the function of disinterested narrating. According to the author of the proposed analyses, the meaning of such an understood visual metaphor is carried by two primary figures inscribed in the space of the garden: anamorphosis and ornament.

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1 Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica

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1 Śląskie Studia Polonistyczne

1 2018

1 2015

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1 Gołąb M.

1 Skrobot W.

1 Skrzypczak M.

MUZEUM – PRZESTRZEŃ PUBLICZNA I MIEJSCE SPOŁECZNE

Ekspresja trajektorii w figurach wędrownych – próba kinetyczno-literackiej optyki

W parku z Raymondem Rousselem – anamorfoza i ornament