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Архитекстуальные отношения в повести Михаила Попова Славянская тризна

100%
Loshakov A.
Acta Polono-Ruthenica
|
2010
|
vol. Tom 1 Nr XV
27-42
EN
The article is devoted to the analysis of architex poetic in the story Slavonic funeral feast (1994) by modern Russian writer M. Popov. Architextuality is a means of establishing in a certain text a row of paradigmatic (association-based) features that are outlined through reference to modal and meaningful contents of some genres as well as those precedent texts these genres represent. For instance, in M. Popov’s narration entitled Slavonic funeral feast archetypes, mythical & poetic character sketches, precedent phenomena revealed in trip-oriented narrative genre, the narration plot, and character images, and text structure of wording and sketching all these act as actualizors. The narration text signific essence increment and sorts of complexity are governed by the architextuality.
2
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Autorskie (od)tworzenie. O intertekstualnych wątkach w twórczości Tima Burtona

51%
Żakieta K.
Ogrody Nauk i Sztuk
|
2013
|
issue 3
PL
Artykuł skupia się na analizie gier z konwencją, wykorzystaniu gatunków, symboli, schematów oraz klisz kulturowych w wybranych fi lmach Tima Burtona. Ważny aspekt rozważań stanowi dialogiczność między innymi takich fi lmów jak Edward Nożycoręki czy Jeździec bez głowy, bowiem właśnie żywioł intertekstualny czyni twórczość Burtona na tyle oryginalną, by móc ją określać mianem kina autorskiego.
EN
This article is focused on playing with convention, genre, symbols and cultural clichés in selected Tim Burton’s fi lms. The most important aspect of this work is the dialogism in such fi lms as Edward Scissorhands or Sleepy Hollow, because intertextuality is exactly what makes Burton’s work original enough to be considered an auteur cinema.
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